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_The Forgiven_ is a peculiar film that seems to be trying to say something about poverty or the wealthy being blind to anything that isn’t directly under their noses, but it also squeezes in a few jabs at racism. The whole thing about throwing mice off of rooftops while wearing parachutes with swastikas on them is really bizarre. The film alludes to death and uncertainty at every turn with verbal descriptions of torture and a brief clip of Hershel’s beheading on The Walking Dead. Despite the best efforts of a massively talented cast, _The Forgiven_ trudges around in circles to the point where you don’t care what its destination is as long as it finally and truly ends. **Full review:** hubpages.com/entertainment/The-Forgiven-2022-Review-A-Desert-Drama-Where-the-Mouth-is-Faster-Than-the-Gun
Despite a rather a decent cast, this is all a bit of a non-story. It centres around a soirée being given by the rather ostentatious gay couple "Richard" (Matt Smith) and boyfriend "Dally" (Caleb Landry Jones) deep in the Moroccan desert. Travelling to that get-together are "Jo" (Jessica Chastain) and her rather drunken husband "David" (Ralph Fiennes). Along the way, in the darkness, a young boy "Driss" steps in front of their car and he is killed. Repatriating his body with his family exposes "David" to some of the traditions and culture of the local people who deal with their grief in a traditional manner - one that requires the man to journey to the boy's home, to meet his father - and to try to make some amends. Meantime, his rather unconcerned wife stays with their hosts and makes merry with the handsome "Tom" (Christopher Abbott). There is certainly some beautiful cinematography of the environment in which these two have chosen to live, and the film offers a gentle opportunity to observe how the rather libertine lifestyles of two gay men and their eclectic group of friends clashes with the long-established culture of their community. That gives some handsome people a chance to flirt and wander around scantily clad for much for the film, but the story is really quite lacking. Fiennes is fine as the disillusioned drunkard, but the rest of the cast are unremarkable (usually the case for the over-rated Smith) and the ending is, well, really quite disappointing. At all but two hours long, it is also too lengthy. What little plot and character development there is in no way justifies the film dragging on for quite this long. It's a good film to look at, but like a meringue - there isn't too much going on when you probe deeper which is a shame because at times the film presents us with personalities that are almost colonial in their attitudes, and that could have been built upon to give the narrative and characters more depth.
A privileged girl and a charismatic boy's instant desire sparks a love affair made only more reckless by parents trying to keep them apart.
In Colombia just after the Great War, an old man falls from a ladder; dying, he professes great love for his wife. After the funeral, a man calls on the widow - she dismisses him angrily. Flash back more than 50 years to the day Florentino Ariza, a telegraph boy, falls in love with Fermina Daza, the daughter of a mule trader.
In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the "real" world.
Elnora Comstock lives on the edge of a great swamp and collects butterflies to sell in order to go to high school and pay for violin lessons. Her mother, Kate Comstock, hates her as she blames the girl for the father's death as he drowned in a quagmire on the way home the night the girl was born. The years-late revelation that the husband had been off courting a neighbor woman that night brings an attitude adjustment to the mother.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
A supernatural tale set on death row in a Southern prison, where gentle giant John Coffey possesses the mysterious power to heal people's ailments. When the cell block's head guard, Paul Edgecomb, recognizes Coffey's miraculous gift, he tries desperately to help stave off the condemned man's execution.
A petty criminal fakes insanity to serve his sentence in a mental ward rather than prison. He soon finds himself as a leader to the other patients—and an enemy to the cruel, domineering nurse who runs the ward.
After a year of long-distance, Raquel and Ares reunite on a steamy beach trip. Faced with fresh flirtations and insecurities, will their love prevail?
The film follows Allison Forche-Marlow, a beautiful, bright, determined, and organized woman, who never gives up trying to heal her autistic son, whom she fiercely loves, no matter what it demands of everyone.