Friedkin Uncut

Hour long documentary on the legendary director.

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

As the eldest son of the legendary actor and producer Kirk Douglas (1916-2020), it was not easy for Michael Douglas to make his way in Hollywood and, like his father, become a recognized actor and a prestigious producer.

Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.

A featurette where Ari Aster and the cast break down the story and give us a behind the scenes look at the making of the film. It gives a fascinating look inside Ari Aster’s mind, and the detail put into production.

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Take a behind-the-scenes look into the most pivotal elements of THE BLACK PHONE production, including adapting the story and achieving the vision of director Scott Derrickson.

In the absence of any physical connection, this short explores alternative forms of contact among neighbors by making use of an old 16mm camera, a zoom lens, and a few meters of expired film.

After 25 years playing Hercule Poirot, British actor David Suchet explores the enduring appeal of his most legendary character.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?