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FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/tick-tick-boom-spoiler-free-review "tick, tick…BOOM! is one of my favorite movies of the year! Boasting memorable, addictive, first-rate music performed by astonishingly talented actors, Lin-Manuel Miranda delivers one of the best musical films of the century. From the absolute standout, "30/90", to the highly satisfying payoff, "Louder than Words", the vast majority of songs serve a necessary purpose, moving the plot forward in an entertaining manner while also developing the compelling characters. Andrew Garfield delivers one of the best performances of his career, demonstrating his impressive emotional range and artistic skills, both as an actor and a performer. Technically, no fault to point out whatsoever. Do NOT miss this work of art!" Rating: A
I recall reading back in 1996 about Jonathan Larson, the creator of the wonderful "Rent" (amongst others) and was intrigued to see just how Lin-Manuel Miranda might tackle this story. Though fairly well known in theatrical circles now, back in 1989/1990 Larson was a struggling songwriter. Juggling his relationships, his funding, an indifferent agent and quite a bit of a mental block, we are treated to a tour de force effort from Andrew Garfield as he portrays this visionary young man striving to complete this eponymous work. I think Garfield is super here. He can hold a note and he brings something of the charm, dedication and charisma of this young man to the screen with the aid of some fine original lyrics with collaborator Stephen Sondheim. Miranda keeps the pace moving along in a lively fashion, offering us quite an insight into the demons this man faced without allowing it to become melodramatic, or sentimental - and there are two strong supporting efforts from Vanessa Hudgens and Robin de Jesus. At times it does have a documentary style feel to it, the audience is a fly on the wall and - not always comfortably - that adds a poignancy to the presentation of this dedicated fellow. Anyone interested in musical theatre, or, indeed, the entire sphere of artistic and creative processes ought to watch one good actor's efforts to immerse us in the labours of love and pain of a good writer.
tick, tick…BOOM! is a cinematic triumph that captivated me from start to finish. The film tells an inspirational yet tragic story, with both of these elements being captured perfectly by the unique direction of Lin-Manuel Miranda. The backdrop of the AIDS epidemic serves as a poignant reminder of the era's struggles, which constantly brings the positive highs of the music into sharp relief, ultimately foreshadowing Jonathan Larson's conclusion. Lin-Manuel Miranda's background in theater is evident in every frame of the film. The way the scenes are shot is unlike anything I've seen before in a movie, making tick, tick…BOOM! a true masterpiece. Add in Andrew Garfield's masterful performance, which is arguably his best yet. He embodies the character of Jonathan Larson flawlessly, with his quirky mannerisms and extravagant persona. What's more, Andrew Garfield’s voice is incredible, which I was pleasantly surprised to discover. Alexandra Shipp gives an emotionally nuanced performance that plays off Garfield's portrayal very well, creating a believable on-screen chemistry that adds depth to the movie's narrative. In addition, Robin de Jesús's performance is fantastic, and Vanessa Hudgens delivers an outstanding vocal performance, though her role is somewhat limited. It was disappointing to see that she was barely in the movie, considering she was billed as one of the lead actresses. Overall, tick, tick…BOOM! is a masterpiece that exceeded all my expectations. It's a biographical picture that stands out among the rest, cementing its place as one of my favorite movies of the genre to date. Score: 90% 🏅 Verdict: Excellent
It has been nine years since Bancroft's character shot Brown's son. She goes to the prison to vent her rage at him over what he did, and discovers he's not the monster she thought he was.
In 1936, two female artists (a singer and a pianist) visit the city of Lushnja, which was very conservative.
A powerful, intimate portrait of three women living in the same house during different eras who all face unplanned pregnancies. The vignettes follow a recently widowed nurse struggling to take control of her life in the early 50s, a mother of four balancing raising a family and maintaining a career in the 70s, and a student making a difficult decision with the help of one woman that will change the course of both their lives in the 90s.
A young man from East Germany travels to San Francisco to search for his father, who fled 12 years ago. Together with his best friend, he starts the journey from New York with no money and the only word they ever learned in english-lessons: "friendship".
John Rosow drinks to forget. He is a former New York City cop turned Chicago-based private investigator. At the last minute, he is hired by someone he's never met to follow a middle-aged male subject on the soon-departing California Zephyr train to Los Angeles.
The madcap life of eccentric Mame Dennis and her bohemian, intellectual arty clique is disrupted when her deceased brother's 10-year-old son Patrick is entrusted to her care. Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle, instilling in him her favorite credo, "Life is a banquet, and most poor sons of bitches are starving to death."
The story of the Wright Brothers and their efforts to invent, build, and fly the world's first successful motor-operated airplane.
Recently retired accountant Richard Flicker attends a life-drawing class and his world is turned upside down when he encounters free-spirited Amelia, the spitting image of a long lost love from decades ago. Grappling with a troubled home front, Richard flirts with the temptation of this second chance at romance.
Two bumbling plumbers are hired by a socialite to fix a leak. A case of mistaken identity gets the pair an invitation to a fancy party and an entree into high society. As expected, things don't go too smoothly.