Janine F.

It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.

A single mother and her embattled son struggle to subsist in a small Mississippi Delta township. An act of violence thrusts them into the world of an emotionally devastated highway store owner, awakening the fury of a bitter and longstanding conflict.

Take a journey with Norman Geske, Nebraska's Father of the Arts, with this feature length documentary about the impact one man has had on the artistic and cultural heritage of Nebraska and beyond.

Benjamin is an unemployed man, self-absorbed and isolated from society who, after the loss of his mother with whom he had a very close relationship, plunges into total depression. In a support group for people who have lost loved ones, he meets Ines, a middle-aged woman who has been widowed after her husband's suicide, with whom he begins a strange relationship that gradually begins to become unhealthy. Benjamin surrenders himself totally to Ines and begins to get carried away by the reins she is marking for their relationship, until he reaches a point where he comes to doubt everything he knows about himself and what he really wants.

Louise, an unfulfilled divorced woman with regrets, gets the chance to relive her past when she meets a young man who bears an uncanny resemblance, in name and appearance, to her high school sweetheart who died many years before.

Matt Travis is good-looking, popular, and his school's best competitive swimmer, so everyone is shocked when he inexplicably commits suicide. As the following year unfolds, each member of his family struggles to recover from the tragedy with mixed results.

Tom, now in his 40s, begins to write the memoirs of his 1960s childhood, as the little boy whose mother Rose was a glamorous Shanghai nightclub singer. When Rose meets Aussie sailor Bill, they are quickly married, and she packs up Tom and his older sister May to head for Melbourne. The marriage just as quickly breaks up and Rose moves with the kids to Sydney. After a succession of male friends and little success, in 1971 Rose moves back to Melbourne, in an uncomfortable arrangement living again with Bill – and his mother. With Bill called away to sea, Rose takes up with young Chinese cook Joe, but despair and conflicts over May's relationship with Joe tear the family further apart. Little Tom is deeply hurt, but May's ongoing conflict with her mother takes a respite when Rose tells her daughter about her traumatic teenage years.

Story of a wild first love that takes place at the mouth of the St. Lawrence River between the refineries at Pointe-Au-Trembles and the rock culture of Montreal.

Simon Willerton's suicide in 1990 brought to six the number of young prisoners who hanged themselves in British prisons in just over six months, prompting public debate over conditions in remand prisons like Armley where overcrowding was so severe that no new inmates could be admitted. Simon faced a burglary charge over the theft of a hot-water bottle from an unoccupied flat. Less a hardened criminal than an immature, gawky teenager who never fitted in, Simon and his tragic death inspired this teleplay.