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The Five - (Feb 6th)
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“You wanna hear a story about why me and this b--ch here fell out? It’s kind of long but full of suspense.” On paper (or on an iPhone screen), “Zola” sounds like one of the worst ever ideas for a feature-length film. Based on a real-life Twitter thread between a Hooters waitress and a stripper, this stranger than fiction story played out over social media in 2015 — and damn if it doesn’t make for a wildly original, outrageously entertaining movie. Zola (Taylour Paige) meets Stefani (Riley Keough) at a restaurant in Detroit, where the two begin chatting about their common interest: pole dancing. Soon after they meet, Stefani invites Zola on a cross-country road trip to Tampa, where they hope to make thousands of dollars dancing in the swanky Florida strip clubs. What starts out as a promising business venture turns into an absolutely crazy (and dangerous) outing with violent pimps, prostitution, attempted suicide, and murder. You have to see it to believe it. It’s crazy. The story is (mostly) true, and writer – director Janicza Bravo focuses on Zola’s side of the story (although Stefani has a chance to present her version in one of the most hilarious bits in the film). You could say it’s all about individual perspective, but Zola is presented as the lone truth teller. Will we ever know the full truth? It’s unlikely. The performances are as sensational as the story, with challenging and risky roles for all of the actors involved. Paige and Keough (in what was my favorite performance at Sundance this year) are particularly fearless as they go all-in on Zola and Stefani, Nicholas Braun is sympathetic as a kind, long-suffering boyfriend, and Colman Domingo is downright frightening as an intimidating, violent pimp. The cast takes the script and runs wild with it, and it works. Bravo has achieved something incredible here, as she literally takes tweets and has crafted them into a saucy screenplay. The film has an appealing eccentricity to it, and it’s directed with a tongue-in-cheek style that fits the material like a glove. Her attention to detail is stellar, and the look of the film is perfectly matched to its source material. “Zola” has a few missteps and feels overly long, but the confidence from Bravo and her cast makes the majority of its flaws disappear. It manages to stay funny, even when things get very, very dark. This is one of those wacky movies that is sure to be talked about, if only for the sheer insanity of the story.
Full review: https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/american-nightmare-zola-review Janicza Bravo’s long-awaited star of Sundance, _@zola_, could not feel more timely, despite the year-long delay. Adapted from the viral Twitter thread of 2015 by Aziah “Zola” King, @zola tells the story of a trip to Tampa gone horribly wrong. After a chance meeting in a Detroit restaurant, Zola (an impeccable Taylour Paige) agrees to accompany Stefani (Riley Keough), Stefani’s roommate X (Colman Domingo), and Stefani’s boyfriend (Nicolas Braun) on a trip to Tampa to earn money by dancing in strip clubs. Stefani has done this before and assures Zola that she can make really good money. What follows is a nightmare of Floridian proportions.
Different, but I actually liked it. 'Zola' takes a few scenes to get into it and to get used to the stylistic choices, namely with the editing and dialogue, though by the end I did in fact enjoy this film. It's a bonkers story, one that I semi heard about when it became known that a film was going to be made based on a thread of tweets. It's probably much better than it was any right to be in truth, all things considered, but the filmmakers made it work and deserve credit for that - and also for the astutely chosen short run time, too. The acting talent bring noteworthy performances, with particularly Taylour Paige and also Riley Keough putting in the work. Colman Domingo is also good - I already like that guy from TV's 'Fear the Walking Dead', so it's always a pleasure to see him act elsewhere. Recommended.
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor. An FBI agent makes it his mission to put him behind bars. But Frank not only eludes capture, he revels in the pursuit.
Alex, an immigrant from Ukraine comes to Canada and becomes involved with an online criminal organization called Darkweb. What starts off as a way to help his parents financially, soon becomes a personal vendetta against the entire banking system, when his mother is fired from her job at the bank
Two brothers fed up with daily life, quit their blue-collar jobs and with a single-minded determination head off to the paradise promise of Key West! But pool sharks, mermaids, tourist traps, and feisty alligators are just a few of the surprises that threaten to derail their not-so-well made plans.
A group of college students stay at school over Christmas to work at a special exhibit in the college's fine art gallery. The students have little in common to each other. When they decide to hold an unplanned Christmas Eve dinner in the gallery, they stumble into a trio of bumbling thugs planning a Holiday Heist of the exhibit. As the students are held hostage, they are forced to learn about themselves and each other, the spirit of Christmas, and get the courage to work together and fight back to foil the thieves. With heartfelt talks, wild escapes, and Christmas romance - the night ends up being a Christmas Eve these new friends will never forget!
Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.
Hae-gap is a director who makes anti-government documentary films. One day, Hae-gap’s son, Na-ra, runs away from home, but Man-deok, a freeloader living in Hae-gap’s house ends up bringing him back. Later, Man-deok raids the head developer of Deul Island to stop its exploitation, and Na-ra helps and ends up getting caught. In order to bring Na-ra out from jail, Hae-gap signs to stop making anti-government films and moves to Deul Island with his family. Na-ra sees his father leading a good, quiet life there and starts opening up. But when a construction company charges in to clear-out the island and the islanders fall at risk of losing their homes, Hae-gap leads a strike against it and his family fall in grave danger...
Break-dance trash musical comedy/parody based on William Shakespeare's Romeo & Juliet.