海洋天堂

Ana is a young Portuguese girl who lives with her grandmother. Through their relationship, we are witness to the Cycle of Life: Grandmother takes care of granddaughter until granddaughter is obliged to do same for grandmother. The scenes between the two protagonists are counterpointed with impressionistic camera compositions based upon famous religious paintings.

Pelle is in love with Dagmar and really wants to reveal this to her, but his drunken dad keeps getting in the way. Rasmus can't accept that his newborn son is seriously ill and ends up distancing himself from his wife in order to try to hold on to the hope. Aksel wants to get back together with his ex-wife and is using his daughter as a go-between until the day when his ex-wife suddenly brings home a new boyfriend.

Alfred lives with his mother in a small village keeping chickens and selling eggs at the local market. He doesn't speak, except to his mother and to children. He has a girlfriend of sorts, although she shies away from any physical contact with her. But more than anything, Alfred wants a child. As natural fatherhood is out of the question he takes the next best option, and makes an application to adopt. With a very un-French lack of bureaucracy Alfred's adoptive son arrives, but turns out not to be the bouncing baby he was hoping for. [taken from London Film Festival 2006 catalogue]

Three stories of young disillusioned Poles of different background and region of origin. What binds them together is that they all meet on the bus to London shortly after Poland's entry into EU.

Instead of giving herself time to come to terms with the loss of her relationship, Natalie has a first date with Sascha that triggers exactly what she wanted to suppress: her lovesickness. She needs one night and some more or less self-destructive and bizarre encounters until she can find peace again.

When Chand arrives in Brampton, Ontario to meet her new husband, she leaves behind a loving family and supportive community. Now, in a new country, she finds herself living in a modest suburban home with seven other people and two part-time tenants. Inside the home, she is at the mercy of her husband's temper, and her mother-in-law's controlling behaviour.

A short film that follows the story of a woman who, in the midst of an identity crisis, walks into an unfamiliar establishment full of unusual locals. Mixing drama, horror and a bit of sci-fi, this film visually explores the emotional struggles of the main character and her quest to change.

In 2032 an eight-year old boy, displaced by global warming, fends for himself as an environmental refugee in a hostile northern metropolis. Haunted by memories of flooding that left him homeless and orphaned, the boy forms an unexpected friendship with an Inuk ice carver who helps him confront his past.

A young woman invites her literature teacher to a discussion on a story about a man who wants to freeze the moment. She suggests that he is writing to disguise his own inner desires. They fall in love, and life takes an unexpected turn.

Meena is an Indian Drama and a family entertainment film through which Actress Vijaya Nirmala has made her Directorial Debut.

In the middle of her wedding reception, the doubtful bride Unn Tove finds a newborn baby girl abandoned in the hotel restroom. She turns her over to Child Services. 16 years later, a young and energetic girl shows up at her door step. It's Rosemari, the baby from the wedding. Together, they start investigating the circumstances leading to Rosemari's birth. They unravel a story about a young couple's unrestrained love, an eccentric ex-boxer with a taste for erotics, and a mother covering up her life's biggest secret. "Framing Mom" is a touching and funny story about how sex, lies and biology created a beautiful flower, Rosemari.