The Flying Dutchman: Teatro Real Madrid

Erich Wolfgang Korngold's "Die tote Stadt" in a Bayerische Staatsoper production from 2019, directed by Simon Stone. Kirill Petrenko is conducting Jonas Kaufmann and Marlis Petersen.

Film version of the Rimsky Korsakov opera from the Pushkin story. Motsart i Salyeri (Mozart and Salieri), based on a legend that Salieri poisoned Mozart, meditates on the nature of creativity while introducing, in brilliantly compressed speeches, what was to be one of the important Russian themes—metaphysical rebellion against God.

An operatic film adaptation of the poem by Paul Laurence Dunbar of the same name.

The story of Cio-Cio-San, called Butterfly, a young Nagasaki geisha who, abandoned by her American lover after giving birth to their son, ultimately kills herself, continues to impress audiences today. In this outstandingly authentic and elegant production from the Sferisterio Opera Festival, Puccini's highly emotional music is expertly delivered. The superior cast is headed by Raffaella Angeletti, "certainly one of the best Butterflies of our time" (ForumOpera.com), who has performed this role in many Italian theatres, as well as in Madrid and at the Vienna Staatsoper.

A dead woman wanders through the shadowy space between memory and reality, tracing the lines of her identity through the land she once walked—an immigrant in death as in life.

Portrait of a Knight is a musical romance about the way in which historic ideals inform contemporary urban life. Rachel is a young archivist living and working in Wellington, New Zealand. Feeling alone and disconnected from life, she projects her romantic fantasies onto the paintings she loves, until one day her song brings Reginald - a Knight of the Realm - to life. His carefree innocence and zest for life begin to open Rachel up to the beauty around her, but the fates have a way of making trouble when miracles occur...

Two mystical beings emerge from the scenery, embarking on a journey through Gallup— Na'nízhoozhí in the Navajo language— before melting back into the desert at nightfall.

The delightful light operatic farce by Johann Strauss is presented at the Morbisch Lake Festival (Seefestspiele Mörbisch) starring Herbert Lippert, Richard Samek, Heinz Zednik and Dagmar Schellenberger.

This live from the Met telecast from October 1996 of Giordano’s infrequently performed verismo gem is an absolute pleasure to watch and listen to and I highly recommend it. Nicholas Joel’s production is extremely elegant while at the same time being simple and uncluttered. Act I, for example, is dominated by an enormous gilt-framed mirror precariously tilted. I assume that it is a metaphor for the imminent downfall of the decadent aristocracy at the party given by the Contessa di Coigny. The costumes designs by Hubert Monloup are terrific. The prerevolutionary costumes in Act I are simply stunning each one individually tailored for the choristers and major performers.