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One of the greatest roles the medium of film can achieve is to magnify the voices and stories of marginalized communities. “The Garden Left Behind,” an ambitious film about the transgender experience in America, strives to help all of us understand the human experience — especially when it comes to those perceived as “the other.” With a diverse cast of transgender and Latinx actors, this film serves as a great educational tool by allowing the audience to walk a mile in the shoes of another, which in turn helps make the world a smaller, more caring place. The film tells the fictional story of Mexican trans woman Tina (Carlie Guevara), who lives with her kind grandmother Eliana (Miriam Cruz) in New York City. They are undocumented immigrants and are struggling to build a life for themselves in the United States. Tina wants so desperately to quality for hormone treatment so she can fully transition, hoping to be able to fully live the life she was born to live. Tina’s grandma loves her dearly, but sometimes struggles to understand (but she remains fully supportive of her granddaughter). The struggles of daily life of a trans woman are treated with compassion and respect, not negatively nor stereotypical. Director Flavio Alves and co-screenwriter John Rotondo worked closely with the trans community to incorporate concerns and realities from their everyday lives into the story. The result is an original, authentic picture of what it’s like to be transgender in America, and particularly a trans woman of color. We are at Tina’s side as she endures emotional abuse from her boyfriend, verbal threats from strangers, bullying, name-calling, harassment, uncomfortable stares, and the devastation that arises from a life-shattering revelation after she begins the transitioning process. It’s an effective, emotionally devastating way to bridge the gap, as her story is achingly human. The film has attractive cinematography (by Koshi Kiyokawa) and the pacing moves quickly, never taking too long to tell the story. Still, the script tries to include too many hot-button issues like illegal immigration and the lack of health care, but its political awareness should be commended (although the extended scenes from the “Trans Lives Matter” movement feel forced and stall the narrative). The end of Tina’s story is shocking and sad, but it feels all too real. The actual statistics that are shown in the film’s closing credits showing the numbers of violence towards trans women of color are shocking. That’s why representation like this on screen is so important: it opens the door to discussion and acceptance, stimulates understanding, lessens discrimination, and fosters kindness across the globe.
Ramón is secretly in love with Adela. One morning, he discovers her corpse among the oat fields
Director Allan Dwan’s excellent use of New York locations enlivens a rags-to-riches tale that fully exploits star George O’Brien’s championship boxing prowess.
Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.
An alienated teenage boy runs away from home and ventures to New York City where he falls in with a gang of juvenile delinquents working as drug dealers and pickpockets for a shady crime boss.
A wealthy woman, vacationing in Acapulco with her stuffy husband, stumbles upon evidence that she is being stalked by an international jewel thief and murderer.
Donya, a lonely Afghan refugee and former translator, spends her twenties drifting through a meager existence in Fremont, California. Shuttling between her job writing fortunes for a fortune cookie factory and sessions with her eccentric therapist, Donya suffers from insomnia and survivor's guilt over those still left behind in Kabul as she desperately searches for love.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.
An ex-con vows vengeance on the newspaper responsible for putting him behind bars, but has a change of heart when another racketeer threatens to bring the paper down..
As every year, the Los Pinos school, a prestigious school of the confessional type, sends its students on retreat to the countryside. Under the watchful eye of teachers and priests, the children are led on the path of their physical and moral development. Through the gaze of several middle and upper class teenagers, the film shows how their upbringing affects the future of society itself.