Parece Comigo

An American story. Traces the career of Joe Louis (1914-1981) within the context of American racial consciousness: his difficulty getting big fights early in his career, the pride of African-Americans in his prowess, the shift of White sentiment toward Louis as Hitler came to power, Louis's patriotism during World War II, and the hounding of Louis by the IRS for the following 15 years. In his last years, he's a casino greeter, a drug user, and the occasional object of scorn for young Turks like Muhammad Ali. Appreciative comment comes from boxing scholars, Louis's son Joe Jr., friends, and icons like Maya Angelou, Dick Gregory, and Bill Cosby.

A documentary about rap artists from Ceilândia, a satellite-city of Brazil capital, Brasilia. The film portrait the struggle of the lives of the rapers and makes a parallel with the violent building of the city designed to settle the outcast from Brasilia after its completion.

Afonsinho, Paulo Cézar Caju and Nei Conceição started their careers in the mid-1960s, a time of strong political repression in Brazil. Originally teammates of a celebrated generation of the Botafogo football team superstars, they did not give up their freedom when the military dictatorship decided to take control of the field.

As a small liberal arts college on the North Shore, Gordon College has not been without its issues. Budget cuts in 2019 resulted in the downsizing of several departments which impacted students' college career. In 2020 during the heat of the pandemic, racial tensions rise after hate crimes are committed on campus. This is the story of the class of 2022.

Crossfire is Lauren Southern's third documentary film project focusing on the issues surrounding policing, brutality, race, law and order. A heated debate today which has led to a massive political divide between those supporting officers, those defending reform and even many rioting violently in the streets.

Channel 4 documentary Britain's Racist Election follows the controversial 1964 Smethwick election battle between Peter Griffiths and Gordon Walker, fought on grounds of racial denomination

About the black community in Ladbroke Grove and Notting Hill which grew up in the 1950s. “No Irish, no coloured, no dogs" read the rooms-to-let signs in what was already a decaying inner area of London. In the Grove black people had to face the brunt of a crude and brutal racism and a grassroots defence was organised against white racist attacks in 1958, to become part of the more general community resistance. And that strength was reflected in the emergence of several major 'Black Power' organisations. Since the 1960s the vital sense of black community which developed in the Grove has resisted attempts to disperse and weaken the community and in particular the attempt to suppress the annual Carnival - the major Afro-Caribbean event in Britain.