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"Honeyland" and Greta Thurnberg - The new heroes of our time The two phenomenon have been a subject to a similar bipolar division of reactions in the public where some glorified them, and others criticized them up to a point of hatred. This fact alone, proves that they have already accomplished their goal, they have had an impact on the world regarding subjects which societies, leaders, and people in general tend to persistently ignore. I hope that we are entering a new era, where we leave behind the glorification of petty subject for plain fun and diminishing current events. Our societies by now have placed the highest values on athletes, famous actors, modern aristocracy... I hope the time has come for ordinary people, "anonymous" like Greta Thunberg and "Honeyland" with the authors and the main protagonist - Hatidze will be the new driving force in societies where with their influence they will cause radical societal changes and become the new heroes of a new era. Hatizde, the last beekeeper of wild bees in Europe, admires everyone with universal values which we recognize in every culture, religion, philosophical and spiritual doctrine in the world, that most likely have been passed down and perfected from one generation to another. Respect for nature, humility, moderation, and compassion are silently reflected in the background through the entire course of the movie. Hatidze enjoys the companion of the bees, simply loving them, selflessly sharing the honey with them, half for people, half for them, - an extraordinary example of sustainability. The fact that for the first time in the history of the Oscars a documentary is entering the competition in the category of best international movie, where all of the other nominees are based on fiction, is not surprising. Thanks to the authors for the mastery of making a documentary into art, that you literary take in as a feature film. It's also interesting to notice that an unusual moment in the movie is experienced diametrically opposite. Hatidze's call for the bees, Maat, mat, mat, mat which some viewers interpreted as quote: "When I heard her mumbling something, I turned it off..." While others like the Dutch movie critic Belinda van de Graf experienced that moment as, quote "Hatidze is singing to the bees..." I personally experienced that moment as utterly poetic, a feeling I would like to explain further. The very call from Hatidze to the bees Maaaat, mat, mat, mat has its roots in the word matica - queen bee (lat. mater, matrix). It's particularly interesting that Hatidze is usually speaking ottoman Turkish language, but the word matica is also a Macedonian term, indicating an archaic word that surpasses today's languages. It's inevitable to ask a simple question. What magic is engaged in the queen, a simple insect, recognizing those words as a friendly call from a human, where according to Darwin's Theory of evolution these two species are so profoundly different? Namely, when I first saw the trailer with awe last spring, the moment when Hatidze called the bees with the call Maaaat, mat, mat, mat is a moment that became so familiar and close to me. I suddenly remembered my childhood where in a mountain village in eastern Macedonia, a grandmother explained how they used to keep bees in woven baskets, identical like the ones Hatidze uses. In short, among other things was the recognition of the call to the queen Maaaat, mat, mat, mat quietly gathering the bees around and communicating with them. In that moment the pieces of the puzzle came together and I realized that when Hatidze is singing the "mantra", she is identifying herself with the queen bee, taking on her role, calling, gathering, communicating just like the queen would, Hatidze becomes the queen bee. An incredible symbiosis between human and nature. With this story I want to express my admiration of the movie, to the authors as well as to the audience. They have acknowledged the fact that there is no successful or unsuccessful life, no important or unimportant human, no significant or insignificant story, all lives are successful, unrepeatable experiences. This movie casted a light on a seemingly simple life, and uplifted and glorified a supposedly ordinary human, which turned out to be deeply ethical, pure, loving, towards people and nature alike, and simply beautiful, just like the movie itself.
Despite issues with its composition, 'Honeyland' is a thoughtful and compassionate exercise in exposing a lifestyle many have long ago abandoned, and one that deserves a place in the public consciousness. Muratova is only one woman, but her attempts to live an ethical life should be taken seriously by everyone that her story reaches. - Ashley Teresa Read Ashley's full article... https://www.maketheswitch.com.au/article/review-honeyland-believe-the-buzz
Pearl Randall, a 66-year-old widow, announces that she is planning to remarry, but her three grown children express conflicting emotions. Daughter Terri captures on tape the family's attempts to come to grips with Pearl's new romance.
A six minute film of the funeral of the murdered Metropolitan Emilianos of Grevena, of which all has been lost, save for 17 seconds. Emilianos was murdered on October 1st, 1911.
At the heart of the Moroccan High Atlas mountains, water is a resource in short supply. The village of Tizi N'Oucheg has undergone a transformation thanks to Rachid Mandili, who is well-aware that the development of his village depends on access to clean water and on his strong leadership of this project. Mandili rallies all the villagers together and calls upon the knowledge of French and Moroccan scientists to tap water sources, to purify, and reuse waste water for irrigation. The documentary highlights the Berbers' community ties and ingenuity in their dream of independently managing their village water resources. It equally paints a portrait of a man whose initiative and resourcefulness has opened Tizi N'Oucheg up to modernity while still conserving its cultural heritage. Tizi's example presents some of the problems of water access in semi-arid regions and puts forward concrete solutions to these problems.
An identity picture and the memory of Contla village through its Día de Muertos festivity. Celebration where the making of traditional bread, an offering colocation, and the embellishment of their family get mixed with mysticism and the yearning of the people community, preserving a tradition that interweaves for moments as a remembering in the México's heart.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
Ukrainian journalist Katya Soldak, currently living in New York City and working for Forbes magazine, chronicles Ukraine's history: its strong ties to Russia for centuries; how it broke away from the USSR and began to walk alone; the Orange Revolution, the Maidan Revolution, the Crimea annexation, the Donbass War; all through the eyes of her family and friends settled in Kharkiv, a large Ukrainian city located just eighteen miles from the Russian border.
A mother and a daughter in a bond beyond time, waiting to move forward among absurd dialogue, injections, plants and e-mails.
Facundo Arteaga is a malambo dancer, who has already passed the barrier of thirties. His life is divided between work in the countryside and the care of his children. In spite of physical strain and lack of time, Facundo will try to compete again to try to get the title of national champion of malambo. According to tradition, whoever wins the championship can never compete again.
An achrival documentary exploring the relationship between Nina Moretto and her mother Graziella Moretto