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Tipping Point Australia - (Sep 17th)
The 11th Hour with Stephanie Ruhle - (Sep 17th)
After Midnight - (Sep 17th)
Raw Talk - (Sep 17th)
Celebrity Treasure Island - (Sep 17th)
The Boy That Never Was - (Sep 17th)
Basketball Wives - (Sep 17th)
Nick Cannon Presents- Wild N Out - (Sep 17th)
The Last American Vagabond - (Sep 17th)
Historys Greatest Escapes with Morgan Freeman - (Sep 17th)
Prison Chronicles - (Sep 17th)
Gangland Chronicles - (Sep 17th)
My Brilliant Friend - (Sep 17th)
English Teacher - (Sep 17th)
Back Roads - (Sep 17th)
Bargain-Loving Brits in the Sun - (Sep 17th)
Help We Bought A Village - (Sep 17th)
FBOY Island Australia - (Sep 17th)
Matt Baker- Travels With Mum and Dad - (Sep 17th)
Tenable - (Sep 17th)
A member of Coast Guard Platoon 23, Private Kang monitors a high-infiltration stretch of beach lined with barbed-wire fencing. Driven by the belief that killing a spy is the highest honor, he waits for a chance to prove his worth.
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother - a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more - culled from 19 years of his life.
Cab driver Max picks up a man who offers him $600 to drive him around. But the promise of easy money sours when Max realizes his fare is an assassin.
Caye is a young prostitute whose family is unaware of her profession. She meets her striking Dominican neighbour Zulema, an illegal immigrant, after she finds her in the bathroom, badly beaten up. They strike up a close friendship unbeknownst to Caye's xenophobic co-workers.
Crocodile Dreaming is a modern day supernatural myth about two estranged brothers, played by iconic Indigenous actors David Gulpill and Tom E. Lewis. Separated at birth, they have different fathers. One is readily accepted as a full-fledged member of the tribe and is looked on to fulfill the duties of jungaiy, an important ceremonial role which obliges him to be caretaker for his mother's dreaming, the crocodile totem. The other, whose father was white, is younger and has had to struggle to fit into the tribe who see him only as a yella fella.
You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.
A mother and her two daughters cross the banks of the North in search of a beach where the elder daughter left her best memories.
The kings of the card game, tired of serving for the amusement of men, decide to participate in the lives of humans and behave like them.
They used to spend every summer here, but now the daughters have grown up, the parents are divorced and the wooden cabin at the lake has to be cleared out. Those four, once a family, come together again for a whole weekend - and the feelings and memories of the past are closer than they thought.