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Tell Me How I Died - (Jul 27th)
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How long are you going to resent the past? Two for the Road is directed by Stanley Donen and written by Frederic Raphael. It stars Albert Finney and Audrey Hepburn. Music is by Henry Mancini and Christopher Challis is the cinematographer. Film basically deconstructs in non-linear fashion the relationship between Joanna (Hepburn) and Mark Wallace (Finney). Set out on the road as the couple meet, go on vacation, fall out and make up, narrative is threaded over a 12 year period. Donen and Raphael have crafted a picture that takes the many emotional strands of a man and woman relationship, and lays them out bare for us all to see. It's this honest like approach, coupled with the two watchable lead actors, that really engages me personally. There's moments of fun, slapstick even, but these are always coupled to an onset of sadness or regret, making this neither comedy or drama, but a near perfect fusion of the two - or bittersweet to coin an actual word for it. Mancini's music is sweet and breezy, the title track apparently one of his personal favourites, while Challis' Panavision photography is often beautiful. There's some credibility stretching with Hepburn playing her younger self, and one on going gag is overcooked in the extreme, but Two for the Road still feels fresh and interesting to those willing to invest fully in the thematics of the human marital condition. Film also signs off with a killer bit of dialogue from the protagonists that you wont be able to forget. 8/10
"Joanna" (Audrey Hepburn) and husband "Mark" (Albert Finney) are taking a road-trip to the South of France where they are to attend the opening of a home designed by him for "Maurice" (Claude Dauphin) and "Francoise" (Nadia Gray). It's clear from the outset that this couple's days in the sunlit uplands have long passed and that they are really now just going through the marital motions. Along the route, though, Stanley Donen introduces us to this couple - using flashbacks - and we we discover the happier times as they met, commandeered an old jalopy, made love under the stars etc... We are also presented with the scenarios that led to the cracks developing, to their loss of trust in each other, to their own equally selfish behaviour and ultimately bringing us to the point where start. Is it all irredeemable? To be honest, that didn't really matter. What we have here is an electric relationship portrayed by two stars who have a genuine, natural, chemistry together. Finney, particularly, looks like he is genuinely enjoying his time and Hepburn just oozes a joyousness and flightiness that makes the love story compelling and engaging to watch. As it develops, both grow up and we have to grow up with them - an experience that we all, however reluctantly, have to endure with always unpredictable results. The well constructed dialogue is authentic and frequently quite witty, and it is delivered confidently by two actors clearly at ease in the other's company. Henri Mancini delivers a delightfully suitable accompaniment to this tale of the lives and loves of two people who don't really know how, or why, they've got to this position in their lives and even in their latter stages, that still exudes an agreeable degree of joie-de-vivre!
Ray, a construction worker trapped in an unhappy marriage, pursues an affair with his neighbor, Carla. Carla's husband, Greg, is a mobster who keeps large sums of drug money in their home. With this in mind, Carla comes up with a plan: She and Ray will steal Greg's money, burn down her house, convince Greg the money was lost in the fire and then run away together. Carla's scheme, however, doesn't go off as planned.
When a young bride marries into a ridiculously rich and delightfully deranged family, her wedding night becomes her worst nightmare as she's forced to play a lethal game of hide-and-seek and must fight to stay alive.
After the suicide of Waheeda, a college student, a bunch of other students decide to investigate the matter and unveil the truth about her by documenting the aftermath and interviewing other students. On the way, they also stumble upon unfortunate incidents.
Marty, a butcher who lives in the Bronx with his mother is unmarried at 34. Good-natured but socially awkward he faces constant badgering from family and friends to get married but has reluctantly resigned himself to bachelorhood. Marty meets Clara, an unattractive school teacher, realising their emotional connection, he promises to call but family and friends try to convince him not to.
Peter Klaven is a successful real estate agent who, upon getting engaged to the woman of his dreams, Zooey, discovers, to his dismay and chagrin, that he has no male friend close enough to serve as his Best Man. Peter immediately sets out to rectify the situation, embarking on a series of bizarre and awkward "man-dates."
Ellie Parker, an aspiring actress from Australia, lives a hectic Hollywood lifestyle, perpetually trying to land the role that will elevate her career. Living with her lothario musician boyfriend, Justin, Ellie is far from happy, finding support primarily from her friend Sam. But when Ellie meets Chris after a minor traffic accident, she sees new potential for both romance and her life in general.
Ten-year-old Gabe was just a normal kid growing up in Manhattan until Rosemary Telesco walked into his life, actually into his karate class. But before Gabe can tell Rosemary how he feels, she tells him she will not be going to public school any more. Gabe has a lot more to learn about life, love, and girls.
In the summer of 1987, a college graduate takes a 'nowhere' job at his local amusement park, only to find it's the perfect course to get him prepared for the real world.
In 1916, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer.
Before her death, Emma reflects on her life; beginning with her childhood, up through her final years in Nauvoo.
When Jonathan Jordan gets divorced he's thrust back into the world of being a single Mormon - a world who's ultimate goal is eternal marriage. Struggling to fit in, Jonathan decides to stop going to church only to be pursued by the members of the local singles ward who want to reactivate him. Nothing works until Jonathan falls for Cammie Giles, the ward activities director. Suddenly, going to church becomes much more appealing, But is he going for the right reasons?