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The Mill and the Cross is one of the best biopics about a painter — or, for that matter, any artist — because it concerns itself less with the painter and more with his work; that is, it knows that the 'what' and 'how' matter more than the 'who.' That’s not to say that the creator doesn’t count for anything; what I mean is that the every artist’s autobiography is recorded in their work (and that’s is why, as I always say, we can learn more about Elton John or Freddie Mercury by listening to Rocketman and Bohemian Rhapsody than by watching Rocketman and Bohemian Rhapsody). This film co-written and directed by Lech Majewski is admirably faithful to the aesthetics of Pieter Brueghel the Elder, but it does not co-opt the artist's vision to put forth a crackpot, 'secret history' plot that has more to do with the filmmaker’s fevered imagination than with any real, historical fact; for example Nightwatching, Loving Vincent, or At Eternity's Gate, which all look great and contain great performances, but end up as nothing more than vehicles for their respective filmmakers' outlandish conspiracy theories — they talk a lot but say little or nothing. In contrast, The Mill and the Cross talks little but speaks volumes. Of the dozens of characters, only three have significant dialogue, especially Brueghel (Ruther Hauer) himself; his monologues provide a convincing, reasonable, and direct explanation of the structure and symbolism of The Procession to Calvary. Meanwhile, Michael York's rich baritone provides the political and social context for the painting.
A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.
The story of Artemisia Gentileschi (1593-1653), one of the first well-known female painters, including her youth, when she was guided and protected by her father, the painter Orazio Gentileschi.
A French woman falls in love with a Yugoslavian man, not realizing that he is an illegal immigrant.
Raphael: The Lord of the Arts is a documentary about the 15th century Italian Renaissance painter Raphael Sanzio.
Edvard Munch was one of the most important artists in the period between the 19th and 20th centuries. His motif Skrik (The Scream), repeated in several techniques, became part of the 20th-century world subconsciousness – an image of fear and loneliness most people probably know, even if they have no idea who created it.
Piotr manages to buy a splendid though dilapidated villa from the eccentric 80-year-old painter Mimi. The woman treats him like her long-lost only son whereas Piotr tries to send her away to old people's home.
To get royal backing on a needed drainage project, a poor French lord must learn to play the delicate games of wit at court at Versailles.
The former famous painter Frenhofer lives quietly with his wife on a countryside residence in the French Provence. When the young artist Nicolas visits him with his girlfriend Marianne, Frenhofer decides to start again the work on a painting he long ago stopped: La Belle Noiseuse. And he wants Marianne as model.
In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew." As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.
A group of idealistic, but frustrated, liberals succumb to the temptation of murdering rightwing pundits for their political beliefs.
