Cindy La Regia

Kansas, 1868. A wagon train is attacked by a band of Lakota Sioux led by the young and athletic warrior Tokalah. The attractive, red haired Anna Brewster-Morgan and her friend Sarah White are on this wagon train too. When Tokalah noticed a terrified Anna with a Bible, he thinks this is an omen. Despite killing the other passengers of the wagon train, only Anna and Sarah may continue their voyage. The next day Anna and Sarah are kidnapped by Tokalah. At first terrified of her captors, the unhappily married Anna eventually falls in love with the noble, honorable Tokalah. After a year's captivity, Sarah is returned to her own people. Anna now must choose between her new life with Tokalah and her previous existence as the wife of farmer Daniel Morgan.

A girls'-night-in dinner party among three friends turns into a disaster when one of them makes a hurtful remark.

Cheated on, mistreated and stepped on, the women are holding their breath, waiting for the elusive "good man" to break a string of less-than-stellar lovers. Friends and confidants Vannah, Bernie, Glo and Robin talk it all out, determined to find a better way to breathe.

Beneath Jim Marshall's veneer as the all-American father and husband, lies a long suppressed desire that is about to ruin his idyllic family. When Elaine Marshall catches her husband and his lover in a hotel room, her anger quickly turns to shock as she discovers that Jim's paramour is a young man. What ensues is painful soul-searching for Jim, Elaine, and their family.

Shaw Landon has loved Rule Archer from the moment she laid eyes on him. Rule, a fiery-tempered rebel tattoo artist, doesn’t have time for a good girl pre-med student like Shaw – even if she’s the only one who can see the person he truly is. She lives by other people’s rules; he makes his own. But a short skirt, too many birthday cocktails, and spilled secrets lead to a night neither can forget. Now, Shaw and Rule must figure out how a girl like her and a guy like him are supposed to be together without destroying their love…or each other.

”Gente" tells two parallel stories. On a Sunday afternoon in Madrid, two young women have big decisions to make. While one tries to work up the courage to propose to her partner, the other keeps a secret that makes her question everything. This is a story of humor and love, with a pinch of chaos, as it portrays the dynamics of a group of friends in their twenties.

Over the course of a hilarious and deeply personal hour, Maron explores such universal topics as getting older, antisemitism and faith, and the superiority of having cats over children – especially during the pandemic.

Bihter, who is desperate for love, sees Adnan, a wealthy and respected older guy, as a way out of the stereotype that society and her materialistic mother have given her. But she soon discovers that she is not satisfied with his attention and has other needs.

Rob is the loneliest of loners. He is so desperate to find love that he constructs an absurd (and quite cinematic) plot to meet and impress women: he is tracking a man by the name of Jack S. who killed his wife to seek revenge, which – to him – is obviously an insanely loyal and courageous thing to do. Hannah, a seductive bartender who used to be married to a man named Jack S., agrees to help Rob track him down – a perfect excuse to get closer to (the now single) Hannah and to do everything he can to become exactly who she wants in her ideal guy. But little does Rob know that some of the people he meets along the way have intentions that turn Rob’s reality upside down – or is it right-side up?

A woman and her husband are terrorized by vacuums.