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You would think with eight films in the Japanese series already, including crossing over with The Grudge ghost Kayako, that The Ring series may be reaching a level of overexposure. With the original director of the first two films returning for Sadako, one might think that there is some hope for the latest addition to the series. This was... a very average film. There wasn't anything special about it that made it stand out; it didn't add anything new to the series. It's just Sadako haunting another bunch of people with a new plot line. That being said; average for the ninth film in a franchise isn't so bad. At this point, looking at other franchise, it should be pulling a low average of one to three. A four out of ten is relatively decent for this point in the franchise's life span. Sadako has very good tense moment that had me glancing away from my screen uneasily, feeling anxious and getting my heart racing. The suspense is still something that remains strong throughout the franchise and I feel that is partly due to Nakata Hideo returning to direct this. With a mix of an urban legend mixed with a curse-ghost haunting plot line, this is really the only thing that stands up against it. Hideo continues to prove he's a master of suspense and, honestly, it's the only reason I'd think about watching this again - for the few moments that Hideo provides us that makes the heart race. With a ending worthy of the cringe-worthy award, especially with the final two moments, Sadako doesn't really hold up to the legacy that the Ring franchise has held for so long. I kind of wish they'd let Sadako haunt her well in peace and let her be at this point. With a slightly underwhelming ninth film, it's definitely time to exorcise Sadako, let her move on from her cursed state, and throw the towel in with this one. Sadako barely holds up - a tenth would be physically incapable of holding up anything else.
You would think with eight films in the Japanese series already, including crossing over with The Grudge ghost Kayako, that The Ring series may be reaching a level of overexposure. With the original director of the first two films returning for Sadako, one might think that there is some hope for the latest addition to the series. This was... a very average film. There wasn't anything special about it that made it stand out; it didn't add anything new to the series. It's just Sadako haunting another bunch of people with a new plot line. That being said; average for the ninth film in a franchise isn't so bad. At this point, looking at other franchise, it should be pulling a low average of one to three. A four out of ten is relatively decent for this point in the franchise's life span. Sadako has very good tense moment that had me glancing away from my screen uneasily, feeling anxious and getting my heart racing. The suspense is still something that remains strong throughout the franchise and I feel that is partly due to Nakata Hideo returning to direct this. With a mix of an urban legend mixed with a curse-ghost haunting plot line, this is really the only thing that stands up against it. Hideo continues to prove he's a master of suspense and, honestly, it's the only reason I'd think about watching this again - for the few moments that Hideo provides us that makes the heart race. With a ending worthy of the cringe-worthy award, especially with the final two moments, Sadako doesn't really hold up to the legacy that the Ring franchise has held for so long. I kind of wish they'd let Sadako haunt her well in peace and let her be at this point. With a slightly underwhelming ninth film, it's definitely time to exorcise Sadako, let her move on from her cursed state, and throw the towel in with this one. Sadako barely holds up - a tenth would be physically incapable of holding up anything else.
A student of the occult encounters supernatural haunts and local evildoers in a village outside of Paris.
Trapped within an eerie mist, the residents of Antonio Bay have become the unwitting victims of a horrifying vengeance. One hundred years earlier, a ship carrying lepers was purposely lured onto the rocky coastline and sank, drowning all aboard. Now they're back – long-dead mariners who've waited a century for their revenge.
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
During an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia SWAT team members, a traffic reporter, and his television-executive girlfriend seek refuge in a secluded shopping mall.
A group of survivors take refuge in a shopping mall after the world is taken over by aggressive, flesh-eating zombies.
While grieving a terrible loss, a married couple meet two mysterious sisters, one of whom gives them a message sent from the afterlife.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
Seeking vengeance, a man is directed by a sorcerer to cut his child out of his pregnant wife so he can create a miraculous 'ghost child'. Overhearing this conversation, his wife flees into the forest where she ends up giving birth to twins with the help of a kindly woman living there. Afraid her husband is chasing her, the wife flees further into the forest with just one of her children, but dies when she falls off a cliff after being chased by wolves. The wolves raise the child as one of their own, whilst her twin sister is raised by the kindly woman living in the forest.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
In the winter of 1982, a twelve-man research team at a remote Antarctic research station discovers an alien buried in the snow for over 100,000 years. Soon unfrozen, the form-changing creature wreaks havoc, creates terror... and becomes one of them.