Binxêt - Sotto il confine

A mockumentary about Turkey-based Kurdish film director, scenarist, novelist, and actor Yilmaz Güney, shot three years after the filmmaker's death. It's also a political portrait of 20th century Turkey.

Welcome to a never-before-seen tour of the creations by resistance artists around the world. From the streets of Moscow to the shores of Los Angeles and featuring interviews with Tom Morello, Dave Navarro, Moby, Shepard Fairey, and more, this powerful film brings a message of hope and change through radical resistance and righteous social uprising.

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

Sean McAllister's bleak, extraordinarily intimate film offers an insight into the lives of 35 year old Kevin, who hasn't worked in 18 years, and his 19 year old girlfriend Robbie, who earns 70 pounds a week as a seamstress.

German journalist Jürgen Todenhöfer uses this unique opportunity to expose ISIS' apocalyptic vision for the world and to document everyday life in the cities it controls. He finds a population terrified into submission by beheadings, enslavement and torture, and an organisation unwavering in its commitment to its divine mission: to spread fear and violence throughout the world, no matter the cost.

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.

Parents try to understand why their children traveled from Britain to join the Kurdish army in their fight against Isis, in Syria, where they died fighting fighting someone else's war.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?