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More than a Western. More than a Western indeed, perhaps a straight forward revenge drama in substance? But it is also a fine character study of a man coming to terms with growing up faster than he ever thought he would have to. What makes the film smart and lifts it above average are the structured segments, as director Henry Hathaway weaves a potent and interesting story by making each part of Nevada Smith/Max Sand's journey an involving character piece, one that puts you firmly on side with the protagonist and his vengeful quest. Credit has to go to McQueen for putting great gusto into the character when it was badly needed, for to save the film from being standard fare we need the leading man to involve us in his troubled and confused state, thankfully he does this with bells on. The locations and sets put gloss on the story and in the main the rest of the cast do very well, however, I'm one of the few amateur reviewers who feels that Karl Malden just doesn't cut it as the chief villain of the piece. I feel the character who carried out these vile crimes should have been far more menacing than the shaky overplayed villain that Malden gives us. Nevada Smith brings great action sequences, a memorable story, and an ending that brings the character full circle. These things that combine to give us an involving entertainment that stars a great leading man, who in turn is directed with very professional and genre knowing hands. 8/10
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
In Apache territory, a supply Army column heads for the next fort, an ex-scout searches for the killer of his Native wife, and a housewife abandons her husband to rejoin her Apache lover's tribe.
Frontiersman Hawkeye and his blood brother Chingachgook attempt to rescue the daughter of a chief who was captured by raiders from a rival tribe in this adaptation of James Fenimore Cooper's "Leatherstocking Tale" of 1841.
Old Surehand and his faithful old friend Old Wabble are on the trail of a cold-blooded killer with the nickname 'The General'. The brother of Old Surehand was murdered by him. On the way Old Surehand and Old Wabble are involved in the running conflict between settlers and Comanches who are likely to go on the war path. Old Surehand can count on the support of his friend and blood brother Winnetou, the amiable chief of the Apaches. Written by Robert
On her b-day, settler's daughter Apanatschi receives her father's secret gold mine but greedy neighboring prospectors resort to murder and kidnapping in order to get the gold, forcing the girl and her brother to seek Winnetou's protection.
Firehand and his Apache friend Winnetou are determined to get justice for the murder of four young braves. They set off to track down the gang responsible for the horrendous act.
Renegades trying to get the army to abandon their fort get the Indians addicted to whiskey, then convince them to attack and drive out the soldiers.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
The dynamic duo of Chon Wang and Roy O'Bannon return for another crazy adventure. This time, they're in London to avenge the murder of Chon's father, but end up on an even bigger case. Chon's sister is there to do the same, but instead unearths a plot to kill the royal family. No one believes her, though, and it's up to Chon and Roy (who has romance on his mind) to prove her right.