Coming Out

Alexander, the King of Macedonia, leads his legions against the giant Persian Empire. After defeating the Persians, he leads his army across the then known world, venturing farther than any westerner had ever gone, all the way to India.

It's July 1976, and two Nova Scotian teens, Kit and Alice, are hitting the road with their sights on Sydney and their minds on the future. With them is Kit's new imaginary friend, who looks conspicuously like Andy Warhol, but who assures Kit that he is a spirit animal. Kit and Alice have big dreams, but do they really want the same things?

When three childhood best friends pull a prank gone wrong, they invent the imaginary Ricky Stanicky to get them out of trouble. Twenty years later, the trio still uses the nonexistent Ricky as a handy alibi for their immature behavior. But when their spouses and partners get suspicious and demand to finally meet the fabled Mr. Stanicky, the guilty trio decide to hire a washed-up actor and raunchy celebrity impersonator to bring him to life.

Coming out doesn't always go to plan.

A photographer begins seeing the face of his barista, Connor in his work- as well as every other human being- and embraces his emerging attraction to men. He still hasn't broken it to his girlfriend.

In present-day Texas, Maya and her on again, off again girlfriend Jules total their car after a night of backwoods raving and teen mischief. They're rescued from the wreckage by Freddy, an oil worker whose stoic facade crumbles as he comes to see himself, and his repressed desires, in Maya. As Jules recovers, Maya and Freddy develop a rapport that dulls the debilitating silence of their small-town lives. Together, they subtly encourage one another to chase after what they want the most (or at least figure out what that might be).

Friendship between two old men becomes love. Slightly-unkempt, tired, and frail, Philippe Lanctot moves into a rest home. The administrator says she wants him to be happy, but that seems far from his mind: he's waiting to die. Then, into his room, unannounced, rolls the voluble Victor Laprade, who draws out Philippe over the next few months. Victor gives Philippe the gift of experiencing the moment. In return, the well-heeled Philippe organises field trips to dinner and to a botanical garden, and, unknown to Victor, becomes the man's benefactor when Victor's children get stingy. The openly-gay Victor also pushes Philippe to acknowledge feelings he's always kept suppressed.

Different aspects of homosexual romance are explored in this compendium of ten short vignettes encompassing a broad look at AIDS and range for the tale of a lesbian teen trying to come out to her parents, to a gay man who shocks his lover by claiming to be pregnant, to another man's reminiscence of a brief affair with an HIV-positive man.

Freely drawing from a variety of film genres, including musicals, the sudsy melodramas and documentaries and combing them with a free-flowing narrative and bright pop-art sensibilities, this hard-hitting experimental romp from Canadian filmmaker John Greyson packs a political wallop while satirically comparing and contrasting the issues of censorship and circumcision. The tale centers on the exploits of three homosexuals named Peter. Peter Koosens is obsessed with the semi-scandalous behavior of Prime Minister Pierre Trudeau while college student Peter Cort, ponders the significance and necessity of male circumcision. Peter Denham is an artist who seduces the other two and freely borrows from their work to make something of his own. Their exploits land the trio in prison after an operatic number (the police sing songs adapted from Bizet's Carmen).

Philip and Bastian are lovers. Philip has taken the responsibility to help his older brother’s family in the slums. However, when Bastian pursues painting and can no longer provide for Philip, Philip resorts to hustling in order to help his brother’s family. When Bastian catches Philip being picked up by a gay man in a car, he decides to keep everything inside. Can Philip and Bastian’s love prevail despite the odds?

Pasquale is a policeman in Roma. During a roundup he meets Desideria. He/she is a transsexual, living together with other two trans , Gaia and Gioia. But overall Desideria is an old friend of Pasquale, they already been attending the same schools. Desideria immediately fall in love for Pasquale. But the policeman has a fiancé, Nellina, even if too far so they meet rarely. That's why Pasquale could change idea about Desideria.