Sequin in a Blue Room

A dynamic young man falls in love with his own boss, a married businessman, with two children.

Story of a homosexual man who finds out he has AIDS and how people react. Ex-lovers are brought together when the former is stricken with AIDS. Often humorous and never morose, author William Hoffman doesn't pull his punches with either his portrayal of a gay lifestyle or of the emotional toll the disease takes.

Southern Baptist Sissies is the live film of the GLAAD Award winning play by Del Shores. Southern Baptist Sissies is the story of four boys who are gay growing up in the Southern Baptist Church and how they each deal differently with the conflict between the teachings of the church and their sexuality.

The Best of Boys in Love is a wildly diverse collection of films that mixes styles, settings, and stories ranging from "elegant gay romance" (Frontiers), to a musical send-up of Hollywood, to an "exquisite period piece" (Village Voice) set in New Zealand. The DVD features seven audience favorites selected from our collection of award-winning gay short films.

Four gay men and a straight woman who barely know each other find themselves in an apartment in the sky above Paris. They have all been the victim of the same domineering pervert who is locked in a room. That night, they decided to finish it. In turn, they tell each other memories that bind them to this man and enter the room to confront him. But what happens between the monster and them remains their secret.

A socially awkward, environmentally-conscious teenager named AJ is dragged to a coastal holiday park by her painfully 'normal' family, where she becomes unexpectedly captivated by a chlorine smelling, sun-loving lifeguard named Isla.

A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.

The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.

A birdwatcher invades a nude queer campground on a remote lake in the New Hampshire wilds. He wears whatever he needs to ensnare the locals in his dark fetish in this nightmarish erotic thriller. Consent has never been more deadly.

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”

On Christmas Day, 15 year old David finds out that his boyfriend, Jonathan has taken another lover. The discovery leads him on the brink of depression making him think of ways to have him back at all cost. He has invited Jonathan to see him on this day for the last time.