Ισημερία

101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.

In 1911, a willful and determined man from peasant stock named Charles Saganne enlists in the military and is assigned to the Sahara Desert under the aristocratic Colonel Dubreuilh.

A love story set against the backdrop of a war.

Upon first sight of a beautiful instructor, a bored and overworked estate lawyer signs up for ballroom dancing lessons.

Matias meets Violeta, his cousin one morning in Madrid at the Plaza de Opera. He is twenty-five. She is 18. He's a divorced journalist trying to write a thriller. She studies violin. She's a vegetarian. He loves meat. Many things separate them, but he moves into her apartment.

Amores explores the world of acting from its most basic and solitary form: the monologue. If only an actor, a text, and someone who hears it are needed to make an acting exercise, then Amores offers fourteen splendid acts from renowned professionals in Puerto Rico. Amores is composed by different monologues that, in set, offer reflection on aspects of love. In this manner, the title becomes a statement: amor es... (love is...)

Life is a tread pod in the eyes of infinity, making lemonade out of the lemons thrown on us by life is the best gleam. Love on the other hand is undiluted when imagining and sweet when given and received. Dikachi a young lady who was so afraid of falling in love met an adventure, and she couldn't believe what was calling in her heart, but when Love flashed its light, it became invincible.

Bathed in the gentle embrace of a rainstorm, Nathan, stirred by an intimate moment with Alex, finds himself compelled to voice the currents of his inner discontent. Amidst the flickering city lights, their souls diverge—one yearning for a love that transcends the physical, the other finding solace in the realm of corporeal passion. Can they navigate the intricate labyrinth of their desires and break free from this cyclical discord, or are they fated to bring a sorrowful conclusion to their tumultuous relationship?

Paul, a rich English boy, and Michelle, an orphaned French girl, run away from home to a remote beach. Living on their own, their friendship grows into love.

Nesrin and Erdem talk about their relationship, which they don’t remember in exactly the same way. Çevik’s visually stunning essay uses their conversations to forge a pensive treatise on what it means to forget, where word and image play an equal role.

Princess Marusya once fell in love with the serious, businesslike doctor Toporkov, and it took her whole life for this man to one day turn away from his business and look into her eyes. Her days were already numbered. And she herself, and her love, and his attention, and their short happiness - all this is like belated flowers...