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Paul cannot approach his father, mired in his business, without noticing that his son requires at least a few words, thrown out instead of attention by shouting at the door, to continue the battle with loneliness, not guilty of his mother’s misbehavior, the child hanging him around his parent’s neck , never taking responsibility, forgetting about the boy in an attempt to get rid of the memory of his wife. The conditional orphanage of the Englishman Paul is akin to the complete orphanage of the French Michel, who after the death of her father, who had raised her without a deceased mother, tried to get to live with her cousin, was tied to her freaky boyfriend, annoyed by the appearance of a youngster, with whom he was inclined to play only adult games, except for a hint family silence. Guys confronts with uncomplicated fantasy director, invented to fold a pair of otchuzhdentsev union of lovers, with substitutes for themselves the lack of attention of loved ones, becoming halves of family unity, which began as a joke, and which gave a start to the faithful following of another, dictated by the feeling fortified debt and the inspired happiness that they found together, the code retired together. They missed themselves. Others were not needed. By the will of the writers, the small cottage became for them an idealistic incubator of happiness, growing from patience and warmth, revelation and forgiveness - physical and spiritual labor, emotional outbursts and rational decisions in an atmosphere of sincerity and purity of thoughts, naive in the presentation of conscience and sin. Anise Alvine and Sean Barry have no contradictions. Without being surprised at the tricks of their characters, they are floating on the waves of their love on the pure air of visual contact and bodily communication, freed from society and have not known the decomposition of social networks. Independent and self-sufficient, defiantly independent and gaining strength to insist on their own. They are not dangerous, but they are wanted, pursued by a tangible threat to separate and divide. However, it is not a hopeless venture of young romantics that seems risky, but inspiring their self-will of the creators of the picture, promoting their example as a science for viewers who listen to them, watching the provocative emancipation of adolescents who break out of the rules and regulations, giving rise to suspicion of danger, casting doubt on the emotional rise of the actors and humanistic motifs, peeking through the sounds of music (Elton John song soundtrack) and straightforwardly unassuming words. Sudden and rapidly growing maturity is subjected to the test of inexperience, loading the heroes with responsibility and duty, which their self-kin deprived them of, giving them wisdom, which is not accessible to indifferent adults who, if not able to help, could not have interfered. Is it possible to cope together, is it necessary to flee and hide - are the assumptions made by the director justified, giving the slaves freedom of their own discretion? There is something to doubt and not to believe, but it does not take much effort to imagine what has happened as the best possible, seeing the materialized dream in it, not taking on the burden of its destruction, stopping along with the director over the abyss, where he will guess about the truth everyone, but not everyone will need it.
Ausreißer [The Runaway] is a 2004 German short film directed by Ulrike Grote, with Peter Jordan and Maximilian Werner. It follows Walter, an unemployed architect, who is getting ready to go for an interview. But just as he is about to leave his flat, an eight-year-old boy, Yuri, approaches him at the door, claiming to be his son. The film was nominated for an Oscar for Best Live Action Short Film.
Fifteen-year-old Suzanne seeks refuge from a disintegrating family in a series of impulsive, promiscuous affairs. Her fulsome sexuality further ratchets up the suppressed passions of her narcissistic brother, insecure mother and brooding, authoritarian father.
Just as Tessa's life begins to become unglued, nothing is what she thought it would be. Not her friends nor her family. The only person that she should be able to rely on is Hardin, who is furious when he discovers the massive secret that she's been keeping. Before Tessa makes the biggest decision of her life, everything changes because of revelations about her family.
As a shocking truth about a couple's families emerges, the two lovers discover they are not so different from each other. Tessa is no longer the sweet, simple, good girl she was when she met Hardin — any more than he is the cruel, moody boy she fell so hard for.
A bullied teen experiences a turning point summer in which he learns to stand up for himself.
A story about two best friends who are madly in love with the same person. How far will a person go for love? Would you kill for love?
The new forester Georg Walch wants to put the poachers out of business. Believing that the animal will return to him, the poacher Wolf Pachler leaves him his hunting dog Krambambuli. The feature film "Krambambuli" is based on the eponymous novella by Marie von Ebner-Eschenbach, the script was provided by Felix Mitterer. The main roles are played by Tobias Moretti, Gabriel Barylli and Christine Neubauer.
Kabir, a genius yet hostile medical student, falls in love with Preeti from his college. When Preeti's father spots the couple kissing, he opposes their relationship and decides to marry her off.
The movie "With Love" revolves around siblings, friends and their complicated stories of friendship and love. Saifah and Saifon are siblings who always lookout for each other. Saifah is a transgender who falls deeply in love with Pop, but Pop has a crush on Saifon. Pop doesn't know how to show his feelings to both of them. Aerin, Saifon's friend, follows her dream of becoming a model and has a good relationship with Ken, a popular singer. Their love seems to be good until Ken meets a highschool girl called June and he starts to have feelings for her. What will happen to these two love triangles?
A doctor (Vishnuvardhan) falls in love with his student (Suhasini) but fails to tell her about his feelings. When he finally musters courage to tell her she tells him that her marriage is fixed to Jai Jagadeesh. Vishnuvardhan cannot forget her and slowly withdraws into a shell. Meanwhile, Jai Jagadeesh starts suspecting his wife because she gives importance to hospital and starts misbehaving with her. Suhasini discovers that Vishnuvardhan is terminal and may not survive for long. She starts taking more care of him in hospital. This frustrates her husband even more and he fights with Vishnuvardhan. Suhasini goes home to explain to her husband but discovers that her husband has abused the maid. She decides to leave him but Vishnuvardhan tries to convince her husband that his relationship with Suhasini is pure. Jai Jagadeesh misbehaves with Vishnuvardhan and Suhasini gets hurt while trying to make sense with her husband. Finally Vishnuvardhan dies saving her baby.