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If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com When it comes to horror, I'm always willing to give any film a shot, even when everything indicates it's probably going to be a massive failure. I'm admittedly not a SAW fanatic, despite quite enjoying the first two movies. After these, I can't even remember which installments I actually watched or not. Not even the most recent Jigsaw caught my attention. In preparation for Spiral, I tried to determine precisely how it would be placed in the saga's timeline, which proved to be a surprisingly challenging task. Basically, what matters for this film is that John Walker (Tobin Bell) and his work as the Jigsaw serial killer are acknowledged, making this a sequel. With that said… Unfortunately, Spiral doesn't change my opinion about the franchise. It's a formula-driven saga that no one really cares about too much anymore. In fact, I'm pretty shocked by the fact that this installment was even greenlit, having in mind the particularly sensitive times our society lives in. Countless movies and TV shows are held to stricter standards nowadays with the risk of getting canceled or boycotted if a certain subject is treated poorly. With so much gratuitous violence, it's surprising to see this franchise still alive. Boasting curious casting choices - Chris Rock leading a horror flick is definitely an attention-grabber - the extremely bloody, gory trap killings are packed with life-or-death dilemmas as always, which will surely please hardcore fans. However, these are just not as captivating or "fun" as before. This movie doesn't possess a single, memorable trap that surpasses any of the dozens (hundreds?) from before. Just like Josh Stolberg and Peter Goldfinger's screenplay, it's just another lazy, unsurprising variation of a well-known formula. To be fair, and I'm trusting other critics who watched all of the other installments, this is supposedly the version that separates the most from the structure people first witnessed in 2004 and 2005. Still, being different doesn't mean better, and the competition isn't exactly defined by masterpieces. From my perspective, Spiral is just another generic take on an overdone story. From the repetitively identical kidnapping sequences to the consequent traps, the potential of a great film depended on how Darren Lynn Bousman (SAW II, III, IV) and the duo of writers tackled the characters, mainly the protagonist. The lack of characterization is definitely a problem, but the baffling laziness in storytelling ruins the entire flow of the movie. With an overwhelming amount of flashbacks and an incredibly choppy, annoying editing work (Dev Singh), the non-stop heightened, super tense atmosphere transforms every single scene like it's the most crucial moment of the film. Consequently, a vast majority of the dialogues are characters screaming and cursing at each other in almost every interaction. The out-of-control tone negatively affects the cast's performances. Many people will look at Chris Rock (Dolemite Is My Name, Madagascar) and believe he's delivering an over-the-top display, but he's just following the chaotic environment established by the director. During the first minutes of the movie, Rock is amusing and funny as expected, but he's also able to tap his more dramatic side. However, when every single line of dialogue needs to be interpreted as if it's the most vital part of the film, very few actors can pull it off. Samuel L. Jackson (Glass, Spider-Man: Far From Home) is one of them, but his expectedly short screentime doesn't allow for much entertainment. Though it's always special seeing SLJ cursing at someone. Finally, SAW is also about finding out who is responsible for the disgusting game, and Spiral doesn't remove that essential block of narrative. The issue here is the lack of a jaw-dropping revelation. Obviously, this is as subjective as everything you just read until now, but I would be astonished if most viewers didn't guess who the new Jigsaw copycat is during the first act. I do want to end on a positive note, so I'll compliment the bold ending. It partially holds the studio against the wall in the sense that the probability of this movie getting a sequel being higher, which can make some viewers think it's too forced. I rather believe they just wanted to have an intense finale, which I can't really deny. Spiral might offer enough blood, gore, and brutal traps/murders to fans of the franchise, but overall it's still just another lazy, predictable take on the SAW formula. Despite the violently captivating life-or-death sequences, none stands out as an unforgettable moment. Josh Stolberg and Peter Goldfinger's screenplay lacks efficient character development, impactful revelations, and, honestly, a massive amount of creativity. From the repetitively tiresome flashbacks and kidnapping scenes to the extremely out-of-control tone, Darren Lynn Bousman isn't able to take the story to its potential. Everything is dialed up to its maximum as if every single line of dialogue needs to be screamed from the top of a mountain, which transforms the entire atmosphere into a chaotic environment. Chris Rock can't be the only one to blame for his over-tense line deliveries, especially when he starts so well. A strong yet abrupt ending doesn't compensate for such dull storytelling. I wish I could write that I'm disappointed, but I didn't have high expectations for this one. Rating: D+
The latest entry into the Saw series has a couple okay moments but otherwise this was pretty bad. The acting was probably the worst culprit, chiefly Chris Rock who sprinkles in his comedic rants while Samuel L. Jackson phones it in, not that he's given a whole lot to work with (including a hilariously bad fake mustache for a flashback scene). It's also really predictable as I called who the killer was early on. I'm okay with taking the series in a different direction as there was nowhere else to go with Jigsaw (and they stretched his story out a few movies too many) but this was a misfire. **2.0/5**
Chris Rock acting like Chris Rock with a daddy Samuel l Jackson acting like Samuel l Jackson in a weird twist of a movie that felt like a small short story in the saw series. It's not a bad movie but there's a few things that it lacked including more blood being spilled and more inventive traps. It kind of became more about the characters and less about what the spiral was trying to do which was copy jigsaw.
It was bad. The writing is bad. It could be better tho. Actors are not so great either. I don't know if it's just me or Chris Rock is not really suitable for his character. I just want to say kudos to the cinematographers. Love the cinematography of this film and editors as well!
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw. With a chilling voice and cryptic instructions, Jigsaw informs them that they must partake in a gruesome game in order to secure their freedom.
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
Jigsaw has disappeared. Along with his new apprentice Amanda, the puppet-master behind the cruel, intricate games that have terrified a community and baffled police has once again eluded capture and vanished. While city detective scrambles to locate him, Doctor Lynn Denlon and Jeff Reinhart are unaware that they are about to become the latest pawns on his vicious chessboard.
Even though Sam Wheat, the successful investment counsellor, still finds it difficult to express his deeper feelings for her after all these years, his young potter girlfriend, Molly Jensen, is the love of his life. However, a curious case of a systematic discrepancy will prepare the ground for a hideous urban homicide in one of Manhattan's dark alleys, trapping, seemingly forever, the unfortunate deceased's immortal soul in the realm of the mortals. With the condemned spirit unable to interact with the physical world-and as Molly's life, too, is in grave danger-Sam will have to turn to the spiritual medium, Oda Mae Brown, to warn and protect her. Can Oda and the ghost settle the unfinished business in time?
Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.
Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.