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If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com When it comes to horror, I'm always willing to give any film a shot, even when everything indicates it's probably going to be a massive failure. I'm admittedly not a SAW fanatic, despite quite enjoying the first two movies. After these, I can't even remember which installments I actually watched or not. Not even the most recent Jigsaw caught my attention. In preparation for Spiral, I tried to determine precisely how it would be placed in the saga's timeline, which proved to be a surprisingly challenging task. Basically, what matters for this film is that John Walker (Tobin Bell) and his work as the Jigsaw serial killer are acknowledged, making this a sequel. With that said… Unfortunately, Spiral doesn't change my opinion about the franchise. It's a formula-driven saga that no one really cares about too much anymore. In fact, I'm pretty shocked by the fact that this installment was even greenlit, having in mind the particularly sensitive times our society lives in. Countless movies and TV shows are held to stricter standards nowadays with the risk of getting canceled or boycotted if a certain subject is treated poorly. With so much gratuitous violence, it's surprising to see this franchise still alive. Boasting curious casting choices - Chris Rock leading a horror flick is definitely an attention-grabber - the extremely bloody, gory trap killings are packed with life-or-death dilemmas as always, which will surely please hardcore fans. However, these are just not as captivating or "fun" as before. This movie doesn't possess a single, memorable trap that surpasses any of the dozens (hundreds?) from before. Just like Josh Stolberg and Peter Goldfinger's screenplay, it's just another lazy, unsurprising variation of a well-known formula. To be fair, and I'm trusting other critics who watched all of the other installments, this is supposedly the version that separates the most from the structure people first witnessed in 2004 and 2005. Still, being different doesn't mean better, and the competition isn't exactly defined by masterpieces. From my perspective, Spiral is just another generic take on an overdone story. From the repetitively identical kidnapping sequences to the consequent traps, the potential of a great film depended on how Darren Lynn Bousman (SAW II, III, IV) and the duo of writers tackled the characters, mainly the protagonist. The lack of characterization is definitely a problem, but the baffling laziness in storytelling ruins the entire flow of the movie. With an overwhelming amount of flashbacks and an incredibly choppy, annoying editing work (Dev Singh), the non-stop heightened, super tense atmosphere transforms every single scene like it's the most crucial moment of the film. Consequently, a vast majority of the dialogues are characters screaming and cursing at each other in almost every interaction. The out-of-control tone negatively affects the cast's performances. Many people will look at Chris Rock (Dolemite Is My Name, Madagascar) and believe he's delivering an over-the-top display, but he's just following the chaotic environment established by the director. During the first minutes of the movie, Rock is amusing and funny as expected, but he's also able to tap his more dramatic side. However, when every single line of dialogue needs to be interpreted as if it's the most vital part of the film, very few actors can pull it off. Samuel L. Jackson (Glass, Spider-Man: Far From Home) is one of them, but his expectedly short screentime doesn't allow for much entertainment. Though it's always special seeing SLJ cursing at someone. Finally, SAW is also about finding out who is responsible for the disgusting game, and Spiral doesn't remove that essential block of narrative. The issue here is the lack of a jaw-dropping revelation. Obviously, this is as subjective as everything you just read until now, but I would be astonished if most viewers didn't guess who the new Jigsaw copycat is during the first act. I do want to end on a positive note, so I'll compliment the bold ending. It partially holds the studio against the wall in the sense that the probability of this movie getting a sequel being higher, which can make some viewers think it's too forced. I rather believe they just wanted to have an intense finale, which I can't really deny. Spiral might offer enough blood, gore, and brutal traps/murders to fans of the franchise, but overall it's still just another lazy, predictable take on the SAW formula. Despite the violently captivating life-or-death sequences, none stands out as an unforgettable moment. Josh Stolberg and Peter Goldfinger's screenplay lacks efficient character development, impactful revelations, and, honestly, a massive amount of creativity. From the repetitively tiresome flashbacks and kidnapping scenes to the extremely out-of-control tone, Darren Lynn Bousman isn't able to take the story to its potential. Everything is dialed up to its maximum as if every single line of dialogue needs to be screamed from the top of a mountain, which transforms the entire atmosphere into a chaotic environment. Chris Rock can't be the only one to blame for his over-tense line deliveries, especially when he starts so well. A strong yet abrupt ending doesn't compensate for such dull storytelling. I wish I could write that I'm disappointed, but I didn't have high expectations for this one. Rating: D+
The latest entry into the Saw series has a couple okay moments but otherwise this was pretty bad. The acting was probably the worst culprit, chiefly Chris Rock who sprinkles in his comedic rants while Samuel L. Jackson phones it in, not that he's given a whole lot to work with (including a hilariously bad fake mustache for a flashback scene). It's also really predictable as I called who the killer was early on. I'm okay with taking the series in a different direction as there was nowhere else to go with Jigsaw (and they stretched his story out a few movies too many) but this was a misfire. **2.0/5**
Chris Rock acting like Chris Rock with a daddy Samuel l Jackson acting like Samuel l Jackson in a weird twist of a movie that felt like a small short story in the saw series. It's not a bad movie but there's a few things that it lacked including more blood being spilled and more inventive traps. It kind of became more about the characters and less about what the spiral was trying to do which was copy jigsaw.
It was bad. The writing is bad. It could be better tho. Actors are not so great either. I don't know if it's just me or Chris Rock is not really suitable for his character. I just want to say kudos to the cinematographers. Love the cinematography of this film and editors as well!
The enigmatic resurrection, rampage, and retribution of an undead monster in a remote wilderness unleashes an iconic new killer after a locket is removed from a collapsed fire tower that entombed its rotting corpse.
In 2009 three young men were killed in a remote part of Yellowstone National Park. Authorities never found the murderer. He found them! Hours after the trio were gunned down, Dwayne Nelson confessed to the crime. Despite this Nelson was allowed to go free because of an American Constitution loophole. Documentarian Julian T. Pinder travels to Yellowstone in a compelling chase for truth behind a crime that should have rocked the nation. How did a guilty man go free? In his hunt for answers Pinder risks his own life when he finds evidence that could re-open the case years later.
A retired couple, Bernard and Helen Martin, inherit a house in rural France. Bernard's father had liberated this same village from the Nazis during the Second World War, in a rage-fueled killing spree. This peaceful couple quickly become the target of a cruel gang of street kids, who terrorise the village. Plugged into their devices and devoid of empathy, they are a new breed of technological psychopath... Bernard and Helen's lives become a living hell as they are harassed and tormented by the gang. When pushed beyond breaking point, right or wrong no longer matters, survival is everything! Can Bernard live up to his father's legend? And could they live with the consequences? This is the old generation vs the new!
The Hallows Estate is on alert as strange graffiti tags with messages declaring the streets will be taken over on Halloween night begin to appear on walls around the place, along with sightings of strange figures lurking in the shadows. One of the gangs responsible for the serious anti social behavior that give the estate a bad name, decide to take these threats head on and ignore the curfew on Halloween night. But who ever, or what ever, this new threat is, they seem to have the very night on their side as they make good on their promise of claiming the streets by frightening and violent means.
After a local woman is murdered, a group of teenage liars create a warning e-mail of a serial killer named “The Wolf”, coming on the next full moon. The teens describe each death method The Wolf uses, but when the described victims actually do start turning up dead, suddenly no one knows where the lies end and the truth begins.
Joanna Mills has a successful career but feels her personal life is spinning out of control. She has few friends, an estranged father, and a crazy ex-boyfriend who is stalking her. Joanna begins having terrifying visions of a woman's murder, and it seems that she is the killer's next target. Determined to solve the mystery and escape her apparent fate, Joanna follows her visions to the victim's hometown and finds that some secrets just do not stay buried.
Freddy Krueger is resurrected from his apparent demise, and rapidly tracks down and kills the remainder of the Elm Street kids. However, Kristen, who can draw others into her dreams, wills her special ability to her new friend, Alice.
Alice finds the deadly dreams of Freddy Krueger starting once again. This time, the taunting murderer is striking through the sleeping mind of her unborn child.
Ric Martin, an ice house worker, murders women in blind rage after a traumatic accident which occurred at his workplace. Ric’s identical twin brother, police officer Fred Martin is then assigned to investigate the case.
In Germany, as graduate student Katie Armstrong researches cannibal killer Oliver Hagen for her thesis, she becomes obsessed with her subject and ultimately plunges into a lifestyle similar to Hagen's and the thousands of people like him.
While investigating the horrifying death of her boyfriend, Mai Takano learns about a videotape haunted by the spirit of a disturbing girl named Sadako, which kills anyone who watches it exactly one week later. When her boyfriend’s son, Yoichi, starts to develop the same psychic abilities as Sadako, Takano must find a way to keep the boy and herself from becoming the next victims.