One Eight Seven

A depressed man moves back in with his parents following a recent heartbreak and finds himself with two women.

Antwerp in the fifties. Robin de Hert grew up in a Catholic parochial environment; on the one hand there is his authoritarian father and the sadistic secretary of the Catholic boys technical school, on the other hand there are the 'Grieten' and the French teacher with whom Robin is getting a good band through a secret they share. If the secretary finds out about this secret, this has major implications for both the teacher and the students ...

The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs

A naive business graduate is installed as president of a manufacturing company as part of a stock scam.

While investigating a young nun's rape, a corrupt New York City police detective, with a serious drug and gambling addiction, tries to change his ways and find forgiveness.

Seen-it-all New York detective Frank Keller is unsettled - he has done twenty years on the force and could retire, and he hasn't come to terms with his wife leaving him for a colleague. Joining up with an officer from another part of town to investigate a series of murders linked by the lonely hearts columns he finds he is getting seriously and possibly dangerously involved with Helen, one of the main suspects.

There are no queens and very little Broadway (except for an opening establishing shot) in Queen of Broadway. Instead, this sentimental B-picture is the story of a gambler (Rochelle Hudson), who tries to clean up her act and adopt an orphan (Donald Mayo).

In 1920s New York City, a Black woman finds her world upended when her life becomes intertwined with a former childhood friend who's passing as white.

In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol's famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.

Henry Hackett is the workaholic editor of a New York City tabloid. He loves his job, but the long hours and low pay are leading to discontent. Also, publisher Bernie White faces financial straits, and has hatchet-man Alicia Clark—Henry's nemesis—impose unpopular cutbacks.

New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.