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Ross McEwen - Valiant Gentleman. Four Faces West (AKA: They Passed This Way) is directed by Alfred E. Green and collectively adapted to screenplay by C. Graham Baker, Teddi Sherman, William Brent and Milarde Brent from the novel Paso por acqui written by Eugene Manlove Rhodes. It stars Joel McCrea, Francis Dee, Charles Bickford and Joseph Calleia. Music is by Paul Sawtell and cinematography by Russell Harlan. Ross McEwen (McCrea) robs the bank of Santa Maria but requests only $2,000 and issues an I.O.U. to the bank manager with the promise of paying back the money. The bank manager, aggrieved and agitated, puts a bounty of $3,000 on McEwen's head and quickly finds the law, in the form of Sheriff Pat Garrett (Bickford), aiding his cause. But McEwen is no ordinary thief, and as he makes his way across the lands during his escape, revelations and relationships will reveal something quite extraordinary. All the things are in place here for a conventional 1940s Western movie, with the robbery of a bank followed by a posse pursuit, a serious sheriff on the case, a pretty gal turning heads and some card playing of course. Yet this is far from being a conventional Oater. Old fashioned? Yes! Definitely, but it's a beautifully crafted picture that relies on characterisations - locations - and a story of such humanistic redemptive qualities; it demands to be better known. It has rightly been pointed out before that no blood is shed here, no bullets are fired; in fact bullets play a key part of the story for a different reason, but the action quota here is still very high. With blazing fire tactics used at one point and pursuits through the rocky terrain very much in evidence, the pic often raises the pulses. Tension is also provided by the efforts of McEwen to evade the attentions of the posse and the law, with some intelligent and believable methods put into action. The romance angle is also thoughtful and never cloying, given credence by real life lovers McCrea and Dee, while non white actors play South American characters without charges of stereotype or fodder being brought into play. With first grade black and white photography from Harlan (New Mexico Tourist Board done a favour here), unfussy direction by Green, and a quartet of great performances by the principal players leading from the front, Four Faces West (not the best of titles to be fair) is a treat for the Western fan. It may lack a "shock" outcome but it sure as heck fire casts off cynicism and makes you feel better about people in general. Bravo! 8/10
**_Warmhearted Western in the Southwest marred by contrivances and dubious acting_** An aged Marshal Pat Garrett (Charles Bickford) chases a questionable robber (Joel McCrea) through long stretches of New Mexico. On the way, the latter meets a lovely nurse (Frances Dee) and befriends a sympathetic innkeeper (Joseph Calleia). William Conrad is on hand as a sheriff that joins the marshal’s pursuit. “Four Faces West” (1948), also known as “They Passed This Way,” is a decent Western with stretches of lyrical beauty, hindered by the B&W photography (the magnificent locations mean very little in flat B&W). The warmheartedness is refreshing and Dee is winsome, but McCrea doesn’t know how to play an overly sympathetic protagonist, the proverbial good bad guy. Meanwhile Calleia lays it on a little too thick and his character comes across unbelievable. Speaking of unbelievable, the way the protagonist escapes capture on the train is “Why Sure!” territory. Yet the train sequence is otherwise well done. Another “Yeah, right” episode takes place in the last act involving a Mexican family. It runs 1 hour, 29 minutes, and was shot entirely in New Mexico, except for interiors done in Hollywood. The locations include: San Rafael, Alamogordo, El Morro National Monument near Ramah (Inscription Rock), Gallup, Red Rock Canyon State Park and White Sands National Monument. GRADE: C+
A man searching for a stolen army payroll is joined by several men after the reward money. One of the pursuers, after killing a ranch foreman, elopes with the ranchers' daughter. Enraged at the shooting of his foreman and convinced that his daughter was kidnapped, the rancher leads a posse after his daughter. When Apaches attack the thieves and their pursuers, the rancher's posse is forced to side with his daughter's new husband and his friends.
U.S Marshal Mike Donovan has dark memories of the death of his first love. He keeps peace between the Americans and the natives who had temporarily adopted and taken care of him. The evil actions of a white sorcerer lead him to confront the villain in the Sacred Mountains, and, through shamanic rituals conquer his fears and uncover a suppressed memory he would much rather deny.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
On the Texas-Mexico border in the 1850s, a 14-year-old Tennesseean nicknamed The Kid stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
Narrowly escaping death, outlaw Johnny Madrid goes on the run with the hangman's sensuous daughter Esmeralda by his side.
While searching for his friend's killer, a former outlaw (Tim McCoy) thwarts a robbery and becomes a lawman.
Three Union POWs fleeing across the desert to escape both their Confederate pursuers and rampaging Apaches come across a dying woman and her infant child. They promise the woman that they will take care of the child and get it to safety, even though none of them knows anything whatsoever about children or babies.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
When Tex is brought in to fight in a range war between the cowmen and the nesters, he meets his old outlaw boss Lassiter. He learns Lassiter is behind the feud when Lassiter asks him to join up with his gang. Tex refuses and instead sets out to stop the feud but no one will believe him that Lassiter is responsible.
Bank robber Graham Dorsey spends a few hours with beautiful widow Amanda Starbuck, in which time his gang takes part in a disastrous holdup. Learning of his comrades' demise, Dorsey goes on the lam. Believing her short-term lover was killed by the law, Amanda decides to make the most of having had a liaison with the supposedly deceased desperado by writing a book about him. Much to his confusion, the still-living Dorsey watches as his name becomes legendary.
Before the U.S. Civil War rebel leader Luke Darcy sees himself as leader of a new independent Republic of Kansas but the military governor sends an ex-raider to capture Darcy.