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In the 1990s HIV/AIDS came to Wenlou through a blood purchasing program. To supplement their income many poor villagers sold their blood and 60% of those who sold blood contracted HIV/AIDS from unsanitary equipment. Many have died from the disease. In his documentary film, To Live is Better than to Die, Wiejun Chen tells of the impact AIDS has had in parts of rural China by showing how it has affected the Ma family. It is spring when the film takes up the family’s story.

AIDS, Inc. is a film about the multi-billion dollar AIDS industry, and how it profits from continuing fears and misconceptions about the disease.

Thabo, Thabiso and Moalosi are young, attractive and deal openly with their HIV status. Nearly a third of the population in Lesotho is HIV positive.

A conversation between an older, HIV positive woman and her niece. The women talk about what it means to be a woman, mother, elderly and HIV positive in Lesotho. They speak about love, marriage, motherhood, inter-generational sex and health systems in the context of HIV in Lesotho.

At the heart of the HIV/AIDS crisis and widespread hysteria, a single number and letter designated a ward on the fifth floor of San Francisco General Hospital, the first in the country designed specifically to deal with AIDS patients. The unit's nurses' emphasis on humanity and consideration of holistic well-being was a small miracle amidst a devastating crisis and the ensuing panic about risk and infection.

Xulia was getting treatment at a rehab center back in 1985, when something happened that changed her life. Years after that, she published 'Imperfect Future', a memoir turned into a book. This short film is a dive in what's left of all that.

Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.

Recording of the play 1789, a collective creation by Théâtre du Soleil at La Cartoucherie de Vincennes in 1970, edited from several shows.

In 1972, Carlos Mathus's provocative play 'La lección de anatomía' opened in Buenos Aires. He thus became a renowned author and director, and the play had an international uninterrupted run of thirty years. More than forty years later the author asks himself about the current relevance of the play and embarks on the adventure of a revival, an odyssey that will take a definite toll on his spirit, his health, and the work itself.