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In 2018, the film world was introduced to exciting new director Carlos López Estrada and his best-of-the-year movie, “Blindspotting.” Expectations for filmmakers as talented as Estrada can feel insurmountable, but “Summertime,” his sophomore feature film, is a wildly successful storytelling experiment of performance art and spoken word poetry. On the surface it sounds like an arduous undertaking, but somehow it turns out to be the epitome of indie cinema: an ego-less artistic collaboration with zero phoniness. Over the course of a summer day in Los Angeles, the lives of 25 teenagers intersect. There isn’t much plot to speak of, as a loose narrative weaves all of the stories together. The story is told through spoken-word poetry, all written and performed by the amateur cast (including Tyris Winter, Marquesha Babers, Mila Cuda, Austin Antoine, Gordon Ip, Maia Mayor, and Walter Finnie Jr.). These aren’t actors but artists, and the film a vehicle to share their authentic voices. The cast is appealing with big personalities and even bigger lyrical talents, and their poems are deeply rooted in place and experience. These diverse young artists are all from and live in Los Angeles, and they offer an unfiltered, unpolished, and raw perspective that comes from the soul. It’s deeply meaningful how they interconnect art with their city, and their vibrant voices are ones that the world needs to hear. Surprisingly, the movie flows seamlessly and doesn’t feel gimmicky (despite a choppy start and a brief lag in the middle). This experiment could’ve (and likely should’ve) gone the wrong way fast, but somehow all the pieces come together and the cast and crew manages to pull it off. It’s a winning combination of a visionary director paired with young artists speaking their truth, and the film’s flaws make it all the more powerful. The film unmasks the impassioned cries of hope and frustration from a young generation through their urban poetry, and it’s as inspiring as it is complicated. “Summertime” is what effective art is all about.
It’s quintessentially late afternoon Californian sun. The eponymous house gently hosts a number of clipped social encounters. Each of these denotes dynamics of power in race, gender and class. While it’s the macaw that seems ostensibly and literally caged, Bravo’s drama of manners suggests that every single one of us may not be quite as uncaged as we assume.
Two brothers have half of a powerful ancient Chinese talisman. An evil gang leader has the other half, and determines to get the brothers' half and have a complete medallion so he can gain absolute power.
Julian makes a lucrative living as an escort to older women in the Los Angeles area. He begins a relationship with Michelle, a local politician's wife, without expecting any pay. One of his clients is murdered and Detective Sunday begins pumping him for details on his different clients, something he is reluctant to do considering the nature of his work. Julian begins to suspect he's being framed. Meanwhile Michelle begins to fall in love with him.
Decades since their successful television series was canceled, Chip has succumbed to a life of suburban domesticity as an insurance salesman. Dale, meanwhile, has had CGI surgery and works the nostalgia convention circuit, desperate to relive his glory days. When a former cast mate mysteriously disappears, Chip and Dale must repair their broken friendship and take on their Rescue Rangers detective personas once again to save their friend’s life.
Peter is approaching 30 and still trying to navigate modern online dating culture. After a whimsical, romantic evening with a mysterious young woman ends with him waking up alone, Peter tries to put the night behind him by turning to a mythically effective dating site guaranteed to find his perfect match. But with each date from the site, Peter notices strange similarities between each woman and that first amazing date. As he learns the truth about their connection, he'll discover a whole new world of people and experiences that will make him question the nature of identity, attraction, and love.
Lightning McQueen, a hotshot rookie race car driven to succeed, discovers that life is about the journey, not the finish line, when he finds himself unexpectedly detoured in the sleepy Route 66 town of Radiator Springs. On route across the country to the big Piston Cup Championship in California to compete against two seasoned pros, McQueen gets to know the town's offbeat characters.
Buttoned-down veteran LAPD detective Roger Murtaugh is partnered with unhinged cop Martin Riggs, who — distraught after his wife's death — has a death wish and takes unnecessary risks with criminals at every turn. The odd couple embark on their first homicide investigation as partners, involving a young woman known to Murtaugh with ties to a drug and prostitution ring.
Riggs and Murtaugh are on the trail of South African diplomats using their immunity to engage in criminal activities.
Riggs and Murtaugh pursue a former officer who uses his knowledge of police procedure and policies to steal and sell confiscated guns and ammunition to local street gangs.
With personal crises and age weighing in on them, Riggs and Murtaugh must contend with deadly Chinese triads trying to free their former leaders from prison and onto American soil.
Obsessive master thief Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective Vincent Hanna pursues him without rest. Each man recognizes and respects the ability and the dedication of the other even though they are aware their cat-and-mouse game may end in violence.