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Astrology Amnesia. The October Man is directed by Roy Ward Baker and written by Eric Ambler. It stars John Mills, Joan Greenwood, Edward Chapman, Kay Walsh, Joyce Carey, Catherine Lacey, Adrianne Allen and Felix Aylmer. Music is by William Alwyn and cinematography by Erwin Hillier. Following a bus crash that killed a friends child that he was treating to a day out, Jim Ackland (Mills) suffers a brain injury. During his recuperation it’s revealed to him that he is prone to amnesia, and even though he’s suicidal over the child’s death, he’s released back into society. Setting up lodgings at a hotel and back to work as an industrial chemist, Jim is functioning well. That is until he financially helps one of the young lady residents of the hotel and becomes the chief suspect when she winds up murdered in a park. Jim has no recollection of committing the crime, but he was in the park… Pulsing with moody atmospherics, this Brit noir – psychological - thriller showcases the best of John Mills and the higher end of the British noir splinter. It’s a post war London that’s cloaked in shadowy streets, of parks harbouring spectral mists punctured by bulbous lamps, a train station a foreboding but visually stunning presence. Jim Ackland is suicidal and nursing amnesia, yet the hotel where he lives, itself a relic of a London that time forgot, is full of human beings from different ends of the evolutionary scale. It’s not a good place for Jim to be, a cuckoos nest of spiteful, suspicious, vengeful, lonely people, Jim in fact, in spite of his problems, appears to be the only sane one there! There is no great “whodunit” to be solved here, some critics have bizarrely complained that the murderer is too obvious! Bizarre because the makers don’t try and hide who it is, the film is firmly interested in the human condition, in how members of society react post a heinous crime, and of course how the afflicted antagonist fights his corner when confronted by hostility and his own mental confusion. Roy Ward Baker, for what was his first direction assignment, is more than up for the job of crafting a noir thriller. He has a good eye for the visual traits that often marry up with human feelings or behaviour, of course having someone of Hillier’s class on cinematography duty naturally helps him through his debut production. Splendid entertainment. 8/10
I'm not the greatest fan of John Mills, but he is pretty good in this superior crime thriller. He is involved in a motor accident and many years later is still suffering from after effects when, whilst staying at an hotel, he becomes involved in the investigation of the murder of a fellow resident who is killed after she went out on a foggy London night to post a letter. He has no alibi, and his memories are inconsistent so the police begin suspect him of the crime. Can he do some detective work of his own to find the real killer? The story is pretty formulaic, but there are a few good (short) contributions from Joan Greenwood and Kay Walsh to supply us with enough red herrings to keep it interesting until, I have to say, a really pretty lightweight conclusion. Still, Roy Baker manages to keep the story intriguing enough to carry 90 minutes and I did quite enjoy it.
A paleontologist gets a tip from an oil worker in the Badlands that may set her career back on track.
Escaped murderer Cal Lewis wants revenge for those responsible for him being put away. Enroute from Texas to Las Vegas he crosses paths with young TV news reporter Deidre Holland who quickly becomes his target.
A series of small-town murders with no apparent connection leads two detectives towards a horrific discovery in this terrifying tale starring Linnea Quigley, Robert Z'Dar and Joe Estevez, and directed by Marc Selz. When two young couples are viciously murdered in the small town of Rockville, the police are baffled and the citizens are terrified. Now, as the body count continues to mount and police investigation hits a standstill, it's up to two detectives to find the missing link and bring the murderous madman to justice
Jewel thieves, murder, and a manhunt swirl around a sailor off a cargo ship in post-war London.
Agnes "Astra" Huston, a fortune teller at a run-down fair, is found strangled in her bedroom. As the police question five suspects, their interactions with her are shown in flashbacks from their point of view.
Hatch Harrison, his wife, Lindsey, and their daughter, Regina, are enjoying a pleasant drive when a car crash leaves wife and daughter unharmed but kills Hatch. However, an ingenious doctor, Jonas Nyebern, manages to revive Hatch after two lifeless hours. But Hatch does not come back unchanged. He begins to suffer horrible visions of murder - only to find out the visions are the sights of a serial killer.
A female blackmailer with a disfiguring facial scar meets a plastic surgeon who offers her the possibility of looking like a normal woman.
The French Revolution, 1794. The Marquis de Lafayette asks Charles D'Aubigny to infiltrate the Jacobin Party to overthrow Maximilian Robespierre, who, after gaining supreme power and establishing a reign of terror ruled by death, now intends to become the dictator of France.
During a small gathering, a smooth, seductive stranger is invited into a couple's house party and falls in love with the wife. Turns out the stranger is an escaped convict who demands that the wife leave the country with him and threatens to kill anyone who stands in his way.
Violent crime is routine. Organized drug trade runs rampant in the face of powerless authority. And a vicious street gang holds dominion with a savage reign of terror. Welcome to Lincoln High! Here the cobras rule the school and everyone in it. Everyone except for Jeff Hanna.