Thomasin McKenzie is quite good as the eponymous, rather timid, prison secretary who lives a rather pedestrian life watching the couples make out in the car-park, or fantasising about a quickie with one of her colleagues, before returning home to her retired cop/dipso father replete with two bottles! The arrival of new psychologist "Rebecca" (Anne Hathaway) injects a little life into her dull routine. This assertive sophisticate takes an interest in "Eileen", they go for a drink - there's even some flirting - before "Rebecca" shares a secret with her new friend that involves a young man in prison accused of the brutal murder of his father, and of just what his mother might know of the crime and it's causes. The first hour is quite intriguing but that sense of anticipation is let down by a last half hour that is really quite undercooked and the denouement, well that is just incomplete - on just about every level. The acting and writing is fine - nothing more, but I left the screening thinking that something was missing. What exactly was the point here? It's a good looking film - effort has certainly gone into the aesthetic but I'm not sure I'm really any the wiser.
Rarely have I seen a film as implausible, unfocused and meandering as this second feature outing from director William Oldroyd. After an impressive debut with “Lady Macbeth” (2016), the filmmaker has stumbled seriously in this latest effort, a supposed psychological mystery/thriller that never finds traction and yet somehow manages to go wildly off the rails in the final act. This cinematic misfire examines the relationship that develops between two women who work at a young men’s prison in 1960s small town Massachusetts. Eileen (Thomasin McKenzie) is a reserved, awkward, often-bullied, sexually repressed administrative assistant, and Rebecca (Anne Hathaway) is the facility’s newly hired, sophisticated, worldly, Harvard-educated psychologist. They quickly strike up a close yet somewhat unlikely bond with less-than-subtle (but apparently never-consummated) sexual overtones, a story thread that seems to be heading somewhere but never does. In large part that’s because the protagonists end up becoming involved in a hare-brained scheme worthy of Lucy and Ethel, only with significant implications, a scenario that comes out of left field and sends the narrative into serious, unexplained head-scratching territory. While the picture features a fine production design, a palette of creative cinematography, and capable Independent Spirit Award-nominated supporting performances by Hathaway and Marin Ireland, there’s not much else here that’s engaging, riveting or worthwhile, elements essential to a good mystery/thriller offering. Whatever the filmmaker was going for here obviously never comes to fruition, thanks to either its poorly composed script or its mishandled execution (or a combination thereof). Indeed, this is one of those films where virtually the entire project truly would have been better off left on the cutting room floor.
An equal rights crusader, journalist and activist: Gloria Steinem embodies these and more. From her role in the revolutionary women's rights movement to her travels throughout the U.S. and around the world, Steinem has made an everlasting mark on modern history. A nontraditional chronicle of a trailblazing life.
Movie Star Rating : 6.7 Read More
Yrjänä's farm is plagued by infertility and the lady of the house decides to get a child by any means to continue her famous family. She's in conflict with her husband and with the church.
Movie Star Rating : 5 Read More
Lotte is impulsive, rough around the edges and leads a colourful life on the streets of Berlin, stumbling from man to man, flat to flat and bar to bar. A brief encounter with a young girl, Greta, turns her life upside down. Lotte realises she will not be able to run away this time.
Movie Star Rating : 4.9 Read More
Set in the year 1969 in Sendai, Miyagi Prefecture, Japan. Kyoko Noma is a loving female high school student who takes part in campus protests. One day, she meets university student Wataru Domoto in the tea cafe Mubansou ("A Cappella"). Kyoko falls in love with him, but they get involved in an incident that leads to a shocking ending.
Movie Star Rating : 5.4 Read More
This 1940s drama presents a story of class conflict and its influence on romance. Robert Bradley leaves the shipyards to work in his uncle's furniture business but soon finds himself at odds with the old man. So he becomes a servant for the destructive Thormans, and falls for the lady of the house, Sarah. But in 1913 this upstairs/downstairs romance can only lead to disaster.
Movie Star Rating : 6.5 Read More
The story is about the social problems faced by Japan's indigenous Ainu, mostly centered on the reactions of the characters to their oppressed state.
Movie Star Rating : 6.5 Read More
Luis, the son of the greater of the farm owned by Don Pedro, is accused of stealing a large amount of money. Stolen money has really Joseph son of Don Pedro, forcing Louis to confess to the robbery, threatening to take the farm to his parents, older may not work elsewhere. With this move, Joseph not only is cleared of any suspicion but also with a clear path to reach dew, until then girlfriend of Luis.
Movie Star Rating : 4.4 Read More
The story of the breakout of the German battleship Bismarck—accompanied by the heavy cruiser Prinz Eugen—during the early days of World War II. The Bismarck and her sister ship, Tirpitz, were the most powerful battleships in the European theater of World War II. The British Navy must find and destroy Bismarck before it can escape into the convoy lanes to inflict severe damage on the cargo shipping which was the lifeblood of the British Isles. With eight 15 inch guns, it was capable of destroying every ship in a convoy while remaining beyond the range of all Royal Navy warships.
Movie Star Rating : 6.9 Read More
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