Kaathal - The Core 2024 - Movies (Jan 23rd)
Midas Man 2024 - Movies (Jan 23rd)
Flight Risk 2025 - Movies (Jan 23rd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Juror #2 2024 - Movies (Jan 22nd)
Never Look Away 2024 - Movies (Jan 22nd)
River of Blood 2024 - Movies (Jan 22nd)
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Shoot Again The Resurgence of Pinball 2024 - Movies (Jan 22nd)
Minor Leaguer 2024 - Movies (Jan 22nd)
Into the Deep 2025 - Movies (Jan 22nd)
Werewolves 2024 - Movies (Jan 22nd)
The Problem with People 2024 - Movies (Jan 22nd)
A Sprinkle of Christmas 2024 - Movies (Jan 22nd)
Heretic 2024 - Movies (Jan 21st)
Elevation 2024 - Movies (Jan 21st)
Curious Caterer Foiled Plans 2024 - Movies (Jan 21st)
The Land of Short Sentences 2024 - Movies (Jan 21st)
Bargain-Loving Brits in the Sun - (Jan 23rd)
Drag Race Spain - (Jan 23rd)
Richard Osmans House of Games - (Jan 23rd)
Junior Bake Off - (Jan 23rd)
Chris Jansing Reports - (Jan 23rd)
Piers Morgan Uncensored - (Jan 23rd)
Andrea Mitchell Reports - (Jan 23rd)
The Tucker Carlson Show - (Jan 23rd)
Nature - (Jan 23rd)
Lets Make a Deal - (Jan 23rd)
The Kelly Clarkson Show - (Jan 23rd)
The Nature of Things - (Jan 23rd)
Family Feud Canada - (Jan 23rd)
Children Ruin Everything - (Jan 23rd)
Rip Off Britain - (Jan 23rd)
Green Eyed Killers - (Jan 23rd)
The 11th Hour with Stephanie Ruhle - (Jan 23rd)
The Family Business- New Orleans - (Jan 23rd)
After Midnight - (Jan 23rd)
The Chase Australia - (Jan 23rd)
**The problem with this film is in the plot: starting from a wrong premise, the whole plot ends up going wrong.** There are certain films that we, even with all our good will, cannot find that fulfill what is necessary to be decent. This movie is one of them, and it's almost entirely to blame for a sadly poorly written plot, which pushes all the barriers of logic to create a story without any meaning. Normally, I save the technical aspects of a film for the end of my reviews, but this time it's precisely here that Ill start, because in fact it's in the production values and the visual effects and CGI that the film seems to me the most well-crafted. The movie doesn't have a good budget, but the effects are believable and look good enough. The settings aren't a problem either, being a story set in our time, and in an uncertain location in the American Midwest. The editing is regular, the pace is pleasant, and the music does what it needs to. The cast is mostly female, with the best performances coming from the hands of Elizabeth Mitchell and Gideon Adlon. There are still some other actresses who try to do what they can, but the youth of the cast does not allow for great dramatic efforts, nor does the lightness of the film truly demand it. But what really defeats this film is its plot: the film tries to recreate, in our time, the witch hunt fever that existed, occasionally, in some places in Christendom during the 15th to 17th centuries. This movement has more ancient roots: the Christian religion has always condemned the practices of witchcraft, and there are laws against witches in many ancient societies and civilizations, all the way back to the Roman Empire. The last woman to be officially executed for witchcraft in Europe was in 1782, and there are still modern countries, especially those with an Islamic religion, that formally condemn witchcraft in their penal codes. It just so happens that it just doesn't make any sense to try to recreate the witch hunt in a country like the USA, so openly democratic and defender of the individual freedoms of citizens. Even if we assume that magic exists and witchcraft is real (and there are many people today who believe this), it is inconceivable that a democratic country could ban magic or the practice of witchcraft, even for negative purposes. It's almost like forbidding someone to swear and curse: as wrong as it may be, it's a right that no one can take away from me, if I'm not offending anyone. I find it inconceivable that the US Congress would pass a constitutional amendment banning witchcraft, and that undermines everything the film tries to do afterwards. It just doesn't make sense. Summary: The problem with this film is in the plot: starting from a wrong premise, the whole plot ends up going wrong.
A beautiful girl, Snow White, takes refuge in the forest in the house of seven dwarfs to hide from her stepmother, the wicked Queen. The Queen is jealous because she wants to be known as "the fairest in the land," and Snow White's beauty surpasses her own.
Siblings Lucy, Edmund, Susan and Peter step through a magical wardrobe and find the land of Narnia. There, they discover a charming, once peaceful kingdom that has been plunged into eternal winter by the evil White Witch, Jadis. Aided by the wise and magnificent lion, Aslan, the children lead Narnia into a spectacular, climactic battle to be free of the Witch's glacial powers forever.
When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.
A bored and domesticated Shrek pacts with deal-maker Rumpelstiltskin to get back to feeling like a real ogre again, but when he's duped and sent to a twisted version of Far Far Away—where Rumpelstiltskin is king, ogres are hunted, and he and Fiona have never met—he sets out to restore his world and reclaim his true love.
Wart is a young boy who aspires to be a knight's squire. On a hunting trip he falls in on Merlin, a powerful but amnesiac wizard who has plans for him beyond mere squiredom. He starts by trying to give him an education, believing that once one has an education, one can go anywhere. Needless to say, it doesn't quite work out that way.
A Catholic school newcomer falls in with a clique of teen witches who wield their powers against all who dare to cross them - be they teachers, rivals or meddlesome parents.
Elation in Neustadt: by the means of a little witching, Bibi Blocksberg saved two kids from burning to death. While her mother Barbara, a witch of flesh and blood herself, is very proud of her daughter, father Bernhard, overworked and stressed, disapproves greatly of her supernatural antics. Then Bibi gets a message from Walpurgia, the senior witch: she is going to receive her crystel ball, that will make a "real" witch of her, early. Proudly, Bibi jumps up her broom to fly to the Blocksberg, the witches' headquarters. But Rabia, one of the few evil witches, aging in misery and with a secret, begrudges her all the glory...and her youth. And so Rabia sets off events that will soon make Bibi's life fall into pieces.
A wealthy entrepreneur goes to an antique shop to get a gift for his wife. Unfortunately he picks out an ornate old box that happens to be cursed by the spirit of a woman executed for witchcraft by monks years earlier.
A Mexican scientific team and an Arab expedition clash over a powerful piece of metal hidden in the jungle. Oh yeah, and there's also aliens, a psychic, a sorcerer and a hostile tribe who do the occasional human sacrifice.
Captain Jack Sparrow works his way out of a blood debt with the ghostly Davy Jones to avoid eternal damnation.