Au chic Resto Pop

A journey inside the world of a legend of modern art and an icon of feminism. Onscreen, the nonagenarian Louise Bourgeois is magnetic, mercurial and emotionally raw-an uncompromising artist whose life and work are imbued with her ongoing obsession with the mysteries of childhood. Her process is on full display in this intimate documentary, which features the artist in her studio and with her installations, shedding light on her intentions and inspirations. Louise Bourgeois has for six decades been at the forefront of successive new developments, but always on her own powerfully inventive and disquieting terms. In 1982, at the age of 71, she became the first woman to be honored with a major retrospective at New York's Museum of Modern Art. In the decades since, she has created her most powerful and persuasive work, including her series of massive spider structures that have been installed around the world.

A moving documentary. The life stories told by immigrants in Paris are often saddening. The hardships they went through and their current uncertainty and difficult situation. No residence permit, fear of the gendarmerie, little money, poor housing. The quality and background of the musicians is many times amazing.

This documentary is an offbeat "road movie" in which acclaimed documentarian Heddy Honigmann travels with, and thereby discovers the stories of, taxi drivers in Lima. In the early 1990s, in response to Peru's inflationary economy and a government destabilized by corruption and Shining Path terrorism, many middle-class professionals used their own cars to moonlight as taxi drivers in order to weather the financial crisis.

In the shadow of a De Beers diamond mine, a remote indigenous community lurches from crisis to crisis, as their homeland transforms into a modern frontier. Rosie Koostachin delivers donations to families who live in uninsulated sheds, overgrown with toxic mold. She is determined to raise awareness, believing that if only Canadians knew, her hometown's dire situation would improve. Over five years, filmmaker Victoria Lean follows Attawapiskat's journey from obscurity and into the international spotlight twice - first when the Red Cross intervenes and again during the protest movement, Idle No More. Weaving together great distances, intimate scenes and archive images, the documentary chronicles the First Nation's fight for justice in the face of hardened indifference.

An idealistic collective launches a TV channel in the very early days of portable video cameras. This wonderful lesson in journalism makes it clear just how perilous it is to promote your own view of society via autonomous media. From the tumultuous period of Woodstock, the Black Panthers, women’s lib and anti-Vietnam demonstrations.

There are only a few hours left to fight. During a walk on the beach, women talk about Agnieszka's first fight, her first success, her first tear, her first love, nervousness and mental stress.

Margreth Olin has filmed 22 persons i their meeting with the well known voluntary healer Joralf Gjerstad. For 65 years more than 50.000 has gone to him to be healed from illnesses and ill-doings. He has never asked for a penny for this

Interviewees discuss the memories, tastes and experiences that they associate with Africa for a personal vision of the continent.

Fien de la Mar (1898-1965) was a Dutch actress with exceptional allure and extraordinary talent. With this she celebrated many triumphs, but her life ultimately ended in tragedy.

Abandoned Goods is an essay film exploring the journey of one of Britain’s major collections of Asylum Art containing about 5,500 objects (paintings, drawings, ceramics, sculptures and works on stone, flint and bone) created between 1946 and 1981, by about 140 people compelled to live in the Netherne psychiatric hospital in South London. Blending archive, reconstruction, animation, 35mm rostrum, and observational photography, the film explores the transformation of these objects from clinical material to revered art objects examining the lives of the creators and the changing contexts in which the objects were produced and displayed.

While people in Western Europe were used to choose between hundreds of brands, the communist Romanian used to have a different experience: all our life we lived with only one brand for each basic product. Imagine the importance that this 'mono-brands' could acquire for the lives of those who made them and for the lives of those who consumed them. A love story between man and object.