Gary Numan: Moogfest 2016, Day 3 - Telekon

This is a 60-minute film of Justice’s 2017-2018 live show, recorded in an empty and invisible space without an audience, focusing exclusively on the impressive production and music. The show has been seen by millions of people around the world. It revolves around a floating structure comprised of 13 independent moving frames, each one featuring 4 rotating panels of LEDs, mirrors and traditional warm lights which offer infinite combinations. The structure is in constant evolution over the duration of the show and proposes several new visual landscapes on every track performed. The footage is captured with the precision and patience of a rigorous documentary about the cosmos.

Chumbo is the second collaboration between Bruno Cunha, Xavier Braun and Kino Lopes, following "A aranha tem uma mosca dentro da cabeça". The project starts off from the ruins of the construction started in 1973 by Novacap that would accommodate the transfer of the "Faculdade da Guerra" (War College) - formally named "Escola Superior de Guerra" (Superior School of War) - from Rio de Janeiro to Brasília. The new unit was intended to introduce the War College into the academic sphere of Distrito Federal by installing it around the University of Brasília. In terms of sound, the edition starts with the disintegration of a guitar. Production of the music label Dobradiça Enferrujada Discos.

The stars of Europe's ascendant chip music movement demonstrate the repurposing of old videogame and home computer hardware like Nintendo's GameBoy and NES, Atari's ST, and Commodore's Amiga and C64 into tools by which they have created a new sound, a modern tempo and an innovative musical style.

The video debut of experimental musicians and culture jamming artists Emergency Broadcast Network.

A group of young people meet in a house, prior to an important electronic party, but problems between them begin to arise.

The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.

Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.

The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.

A young girl named Stella is raised in captivity, but is one day given the opportunity to escape. Once she escapes she must find her way home and uncover her past.

Lucy convinces Max to go to a nightclub together, to test the bounds of their relationship. After leaving the club, fear takes hold and connections begin to crumble.

As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.