Une nuit au Louvre: Léonard de Vinci

People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?

An exhibit of Da Vinci's works traces the pathways of the great artist's mind.

Leonardo da Vinci is not just the most famous and most admired of all painters - he is an icon, a superstar. Yet, the man himself remains elusive. Accounts during his lifetime describe a man too handsome, too strong, too perfect to be accurate. But in 2009, the chance discovery in the South of Italy of an ancient portrait with strangely familiar features takes the art world by storm. Could this be an unknown self-portrait by Leonardo da Vinci? Controversy erupts among the experts. The implications of such a discovery have far-reaching consequences for our understanding of the work of this great Renaissance master.

"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice

This rare film tells the strange, disquieting and protracted story of the restoration of Leonardo da Vinci’s famous masterpiece, The Last Supper. Some say the results of the restoration are glorious. Others have called them tragic. Da Vinci’s famously fragile fresco was always going to be a challenge for its secretive Italian restorers. No one, however, could have foreseen how problematic and strange their task would become. Marked by a series of extraordinary mishaps, mistakes, and miscalculations, the incredible restoration is hilarious to watch but may have resulted in the loss of a masterpiece.

The tumultuous history of the Louvre Museum, founded in 1793, and its fabulous art collections, an immortal testimony to the destiny of France and all of Europe.

A building lost in the midst of a 5 000 hectare park, that's the equivalent of the surface of Paris, Chambord is the castle of all superlatives. Having required nearly 220,000 tonnes of stone to build, the Chateau de Chambord, in the Loir-et-Cher department, is an architectural gem. 156 metres of facade, it has more than 70 staircases, 282 fireplaces and 426 rooms. The castle commissioned by Francis 1st in the 16th century is also the most mysterious. The majestic monument has its share of mysteries: identity of its architect, influence of the Florentine painter Leonardo da Vinci in its design, location in the middle of marshes in the heart of the forest and even longevity because it has survived through time without being damaged since the beginning of its construction in September 1519.

Leonardo da Vinci finds it difficult to pursue his own dreams while serving as the Duke's court artist, but young Roberto takes risks to convince the Master not to give up on his dreams. In this moving story of friendship, the Renaissance genius invents a flying machine and helps Roberto reach new heights.

Doubling as a cartography of the ever-changing city, Bill Cunningham New York portrays the secluded pioneer of street fashion with grace and heart.

A portrait of the artist as a "sublime demon with the archangel's face", with an innovative musique concrète soundtrack.

Acquired in July 1909 by art collector Wilhelm von Bode (1845-1929), director general of the Prussian Art Collections and founding director of the Kaiser-Friedrich-Museum, now the Bode-Museum, the Bust of Flora, Roman goddess of flowers, has been the subject of controversy for more than a century.