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Penthouse Pandemonium. The Penthouse is written and directed by Peter Collinson and is an adaptation from the play The Meter Man by Scott Forbes. It stars Suzy Kendall, Terence Morgan, Tony Beckley, Norman Rodway and Martine Beswick. Music is by John Hawksworth and cinematography by Arthur Lavis. Alligators and Sharks Home invasion 1960s style. Story finds Kendall and Morgan as illicit lovers tormented by two deranged intruders in the penthouse apartment they use for their nights of passion. It's a five person play, well for the majority it's a four person production, and it's 99% set in a dimly lighted apartment. Narrative subjects our two hapless lovers to an hour and half of mental cruelty and sexual humiliation. The two main perpetrators, Tom (Beckley) and Dick (Rodway), are fascinating nutters, they are childlike in a chilling way, yet always they exude a sense of intelligence. They feed off of each other like some double-take twins, and always they have handy a deep meaning monologue or a philosophical justification for the black heart of the human being. Collinson does a grand job of keeping things claustrophobic, making sure the emotional discord and sense of menace haunts every frame. The camera zooms in and out of focus, something which proves to be a masterstroke for the sex scenes, while the various angles that the camera looks through during the course are suitably nightmarish. Originally Collinson was at pains to say his movie didn't have a message, but over the years the only thing consistent was his inconsistent viewpoint on the film. It's nigh on impossible not to seek out a message here, the film is just too odd-ball and unsavoury to not court a deeper meaning than the lazy "it's just a thriller" statement that Collinson trundled out upon pic's release. Pretentious? Absolutely, but this film has the ability to get under your skin, either in a good way to make you ponder, or to utterly irritate you. If someone said to me it's the worst film they have ever sat through, I would understand. Yet for me I felt challenged and uncomfortable, that's the medium of film doing a good job as far as I'm concerned. 7/10
An alcoholic becomes involved in a fellow A.A. member's plan to kidnap her young son from the boy's wealthy grandfather.
Four sons of well-known New York mobsters must retrieve a bag of cash from a small Montana town ruled by a corrupt sheriff.
A young man's life is turned upside down when his violent dreams begin to blend with reality.
Two young soldiers, Bartle and Murph, navigate the terrors of the Iraq war under the command of the older, troubled Sergeant Sterling. All the while, Bartle is tortured by a promise he made to Murph's mother before their deployment.
After a young heiress is assaulted by a policeman, she seeks revenge by befriending the policeman’s mousy wife and introducing her to her circle of outrageous punk friends.
Alex and John are childhood friends growing up in an affluent neighborhood, they are as close as two can be. When a new girl joins their exclusive circle of friends, a jealous rift begins between the two as they both vie for her attention. Will the young men realize the value of their friendship before it's too late?
When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl's aunt, Beatrice McCready hires two private detectives, Patrick Kenzie and Angie Gennaro. The detectives freely admit that they have little experience with this type of case, but the family wants them for two reasons—they're not cops and they know the tough neighborhood in which they all live.
Hired by a powerful member of the Russian mafia to avenge an FBI sting that left his brother dead, a psychopathic hitman known only as The Jackal proves an elusive target for the people charged with the task of bringing him down: a deputy FBI director, a Russian MVK Major, and a jailed IRA terrorist who can recognize him.
When a seemingly straight-forward drug deal goes awry, XXXX has to break his die-hard rules and turn up the heat, not only to outwit the old regime and come out on top, but to save his own skin...
After being brutally murdered, 14-year-old Susie Salmon watches from heaven over her grief-stricken family - and her killer. As she observes their daily lives, she must balance her thirst for revenge with her desire for her family to heal.
Chili Palmer is a Miami mobster who gets sent by his boss, the psychopathic "Bones" Barboni, to collect a bad debt from Harry Zimm, a Hollywood producer who specializes in cheesy horror films. When Chili meets Harry's leading lady, the romantic sparks fly. After pitching his own life story as a movie idea, Chili learns that being a mobster and being a Hollywood producer really aren't all that different.
