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Raw - (Mar 4th)
American Dad - (Mar 4th)
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Extracted - (Mar 4th)
University Challenge - (Mar 4th)
Below Deck Down Under - (Mar 4th)
Paradise - (Mar 4th)
The Rachel Maddow Show - (Mar 4th)
The Last Word with Lawrence ODonnell - (Mar 4th)
90 Day- The Last Resort Between the Sheets - (Mar 4th)
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Contraband- Seized at the Border - (Mar 4th)
Maine Cabin Masters - (Mar 4th)
The Hunting Party - (Mar 4th)
Rescue- HI-Surf - (Mar 4th)
NCIS - (Mar 4th)
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Death by Fame - (Mar 4th)
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You can't steal from a man just because you don't know his name. Catlow is directed by Sam Wanamaker and adapted to screenplay from the Louis L'Amour novel by Scott Finch and J.J. Griffith. It stars Yul Brynner, Richard Crenna, Leonard Nimoy and Daliah Lavi. Filmed in Metrocolor/Panavision, photography is by Ted Scaife and music by Roy Budd. One time buddies in the Civil War, Catlow (Brynner) and Cowan (Crenna), are now on opposite sides of the law. Let the shenanigans begin! Catlow is one of those Oaters that is - in spite of its ordinariness - so harmless to the point it's near impossible to dislike with genuine displeasure. Essentially it finds Brynner and Crenna as pals constantly playing cat and mouse with each other, all while they are entangled in danger (courtesy of Mexican soldiers, Indians and Nimoy's vengeful gunman) and affairs of the heart (Lavi and the beautiful Jo Ann Pflug). It's all very formulaic, and directed as such, but there's still a lot going for it. Everybody seems to be having a good time of things, with some hamming it up on purpose - obviously with a tongue in cheek nod to Spaghetti Westerns - others relishing chances to exude ebullience (Lavi) and gruff meanness (Nimoy). There's some truly funny moments, with witty dialogue to match, and the action scenes are as solid as the rock formations that boom out of the Almeria locations. Budd's musical score is a bit hit and miss, often sounding like it belongs in an episode of Alias Smith and Jones as opposed to a full feature length film, while there's a lack of an edge to make the finale be anything other than run of the mill. Tis fun though! Pic looks lovely, with TCM HD channel showing a print that extols the virtues of having a top cinematographer on lens duties. Harmless and enjoyable enough, even if ultimately it's forgettable once over. 6/10
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the simple skills he knows are of no help in dealing with the ambitions of ranchers and corrupt officials as progress marches over him and the old west.
The Durango Kid is a sort of Robin Hood of the West who helps the lovely Walters (who replaced Starrett's usual love-interest, Iris Meredith), the daughter of a homesteader, defeat the evil MacDonald who has been terrorizing the decent citizens with his gang of rustlers.
Fred Engel's father is murdered by Colonel Brinkley in order to acquire a treasure map, however the Colonel only acquires half of it, the other half as held by Mrs. Butler. Discovering the scene of the crime, Old Shatterhand and Winnetou help Fred bring his father's murderer to justice and locate the treasure of Silver Lake.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
The brother (House Peters Jr.) of rancher Bill Martin (Bill Elliott) is killed in a stampede started by cattleman. Bill returns to the Fargo country to take his brother's place and is welcomed by law-abiding cattleman MacKenzie (Jack Ingram)) and his daughter Kathy (Phyllis Coates). The leader of the ruthless cattle interests are townsman Austin (Arthur Space) and his henchmen Red (Myron Healey), Link (Robert J. Wilke) and Albord (Terry Frost). Bill has the idea of putting up barbed wire to keep the herds from been driven over the land cultivated by the farmers. He, aided by Tad Sloan (Fuzzy Knight), produces the wire by make-shift methods, but it proves effective. The cattleman charge in court that the wire is dangerous to their herds but lose the case. Austin orders his men to seize Bill, bale him in strands of the wire, and throw him on the stage of the town hall during a fall festival. Bill doesn't take kindly to this and it precipitates open war.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
Jim Killian arrives in a small Arizona town hoping to establish a peaceful life as the local preacher, but he soon finds himself in the middle of a feud between sheep ranchers and cattlemen. Leloopa, a young Native American woman, pleads for Killian's help after her shepherd father is hung by Coke Beck, the vicious son of the head cattle rancher. Killian must weigh his actions carefully lest he perpetuate the cycle of retribution and revenge.
A domineering but charismatic rancher wages a war of intimidation on his brother's new wife and her teen son, until long-hidden secrets come to light.