I pompieri di Viggiù

When an unsuspecting town newcomer is drawn to local blood fiends, the Frog brothers and other unlikely heroes gear up to rescue him.

Loyalties are tested when a young man crosses paths with the son of a mob boss.

After moving to a new town, troublemaking teen Jim Stark is supposed to have a clean slate, although being the new kid in town brings its own problems. While searching for some stability, Stark forms a bond with a disturbed classmate, Plato, and falls for local girl Judy. However, Judy is the girlfriend of neighborhood tough, Buzz. When Buzz violently confronts Jim and challenges him to a drag race, the new kid's real troubles begin.

Two close friends' plan to execute a flawless crime is crushed when one of them inadvertently leaves his glasses at the crime scene.

Attorney Henry Strauss grew up in Germany, but left the country with his Jewish family during the rise of the Third Reich. Still wondering about what happened to his boyhood friend Konradin Von Lohenburg, Strauss travels back to Germany for the first time since he was a young man, bringing up some painful memories.

The story concerns the enlightenment of the Christian King Roger II by a young shepherd who represents pagan ideals. Kasper Holten’s production (The Royal Opera’s first) of Król Roger (King Roger) brought the opera back to the London stage after an absence of almost 40 years. Karol Szymanowski’s masterpiece powerfully presents the dilemmas of culture versus nature and man versus beast, and movingly depicts King Roger’s inner struggles as he moves from an impossible life of repressed desires to the other extreme, giving in to his own demons. Meanwhile, Roger’s people, seduced by the promises of the mysterious Shepherd, are drawn towards totalitarianism and repression. Antonio Pappano conducts Szymanowksi’s opulent and beautiful score, with a cast including Mariusz Kwiecień as Roger (one of the greatest interpreters of the role today), Saimir Pirgu as the Shepherd, and Georgia Jarman in her Royal Opera debut as Roger’s loving queen Roxana.

Tom Brown shows up at Harvard, confident and a bit arrogant. He becomes a rival of Bob McAndrew, not only in football and rowing crew, but also for the affections of Mary Abbott, a professor's daughter.

A pyromaniac tries to fight his obsession with fire. This movie uses the pyromaniac urge as an extraordinarily transparent metaphor for homosexuality.

Scandal, anger, violence: around 1880, Victorian era, the young Owen Wingrave, heir to a long line of soldiers, has just announced to his master that he had decided to renounce the profession of arms of his ancestors, and by therefore to immediately leave the school which prepared him for it... Owen Wingrave is a boy of great beauty and hides, beneath a delicate appearance, an astonishing inner strength. Why did he decide to abandon the military career for which everything, since childhood, had destined him?

Koshiro Matsudaira lives in Tanjousan Bun in Echigo as a commoner and surrounded by people that love him, including his father Sakubei, who works for the Tanjousan Bun. One day, many officials working for Tanjousan Bun come to Koshiro's house and Sakubei tells his son the shocking truth about his birth. Koshiro learns that he is the son of Daimyo Ikkosai of the Tanjousan Bun. Even more shocking to Koshiro, is that Daimyo Ikkosai has suddenly handed over his feudal lord position to Koshiro and has gone into retirement. Koshiro thinks that he has come across good fortune, but he soon learns that the Tanjousan Bun has a huge debt that needs to be payed off soon.

When Joan’s husband dies, she is shocked to discover he had invented an elixir which makes the drinker look young again. Sharing it with her two friends, the three women paint the town red but soon discover that they are no longer equipped to be young in the modern world.