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Has a good reputation among critics and film-buffs, but I thought this was duller than dullsville on a dull tuesday. Fassbender has got to be one of the most overrated actors in recent times. He's got a distinctive look and his eyes pierces through the screen I'll give him that. And a well-sized johnson (as proven on numorous ocassions here) but other than that he's fairly mediocre.
Shame is nothing short of a masterpiece: every shot tells a story. SYNOPSIS: (from Google) Successful and handsome New Yorker Brandon (Michael Fassbender) seems to live an ordinary life, but he hides a terrible secret behind his mask of normalcy: Brandon is a sex addict. His constant need for gratification numbs him to just about everything else. But, when Sissy (Carey Mulligan), Brandon's needy sister, unexpectedly blows into town, crashes at his apartment and invades his privacy, Brandon is finally forced to confront his addiction head-on. REVIEW: I'm certain Shame will always be my personal favorite McQueen film. McQueen tells a story with the camera and with the voice. McQueen brought on Sean Bobbitt as cinematographer for this amazing project and Bobbitt does not disappoint. Together they craft some of the most revealing and beautiful scenes in recent cinema. The lighting for this movie (also headed by Bobbitt), aids in the visual storytelling. Abi Morgan and McQueen's script really shines, bringing Brandon's addiction further into the light. Harry Escott's haunting score will never leave your brain after you see this film. Escott's use of both classical and original pieces bring the film together. Michael Fassbender gives a stunning performance as Brandon, one moment he's casually strolling about, the next he's acting on his most basic impulses, and the next he's yelling at his sister. Carey Mulligan gave a great supporting role next to Fassbender as well. Both are given several scenes to shine. The film uses its NC-17 rating to its fullest extent, yet none of the sex feels sensationalized. It's all very real and most of the time almost disturbing to watch. McQueen delivers the entire story very artistically, including the sex scenes, which many directors could have messed up. This makes the film as a whole flow better. The movie portrays sex addiction (and addiction in general) in a very real way, while everyone is different we all feel shame after we've gotten our fix, and sometimes we'll do anything to get that fix.
A Chicago weather man, separated from his wife and children, debates whether professional and personal success are mutually exclusive.
On a secluded farm in a nondescript rural town, a man is slowly dying. His family gathers to mourn, and soon a darkness grows, marked by waking nightmares and a growing sense that something evil is taking over the family.
A pregnant Colombian teenager becomes a drug mule to make some desperately needed money for her family.
A Hungarian immigrant, his friend, and his cousin go on an unpredictable adventure across America.
A mathematical genius discovers a link between numbers and reality, and thus believes he can predict the future.
Because of a technical defect an American bomber team mistakenly orders the destruction of Moscow. The President of the United States has but little time to prevent an atomic catastrophe from occurring.
Two lifelong friends find themselves at an impasse when one abruptly ends their relationship, with alarming consequences for both of them.
Seeking funds for her orphanage in India, Isabelle travels to New York to meet Theresa, a wealthy benefactor. An invitation to attend a wedding ignites a series of events in which the past collides with the present while mysteries unravel.
A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.