Crimewatch Live - (Mar 17th)
The Last American Vagabond - (Mar 17th)
Tipping Point - (Mar 17th)
Alan Titchmarshs Gardening Club - (Mar 17th)
Someday at a Place in the Sun - (Mar 17th)
Twitter- Breaking the Bird - (Mar 17th)
Panorama - (Mar 17th)
GRAND SUMO Highlights - (Mar 17th)
Bargain Hunt - (Mar 17th)
The Chase Australia - (Mar 17th)
Murdoch Mysteries - (Mar 17th)
Family Feud Canada - (Mar 17th)
Married at First Sight - (Mar 17th)
Australian Survivor - (Mar 17th)
WWE LFG - (Mar 17th)
Snatch - (Mar 17th)
Liars Club - (Mar 17th)
Australian Idol - (Mar 17th)
Oh My God... Yes A Series of Extremely Relatable Circumstances - (Mar 17th)
YOLO - (Mar 17th)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
This joyful short animation features a dancing hen that transforms into an egg. The film was made without a camera by Norman McLaren, who drew directly onto 35 mm movie stock with ordinary pen and ink. Colour was added optically.
A natural history fantasy film, following the dramatic lifecycle of the wild salmon in human form, with narration by Marianne Faithfull.
In Bogota, a bird-girl leaves behind the family home, her domineering mother and faithful dog to go and explore her sexuality.
A hep teen hears a tune on the jukebox at the malt shop and calls his girl; She rounds up a crowd and soon the whole place is jumping.
At her father’s request, Coline returns to her childhood bedroom to sort through her belongings. The various objects she finds remind her of childhood memories that stick to her and that she will finally accept to leave behind…
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Behold the struggle between light and dark, the two principles that are at the very heart of the cinematic deed. A Solar Dream takes the seventh art’s ability to generate imaginary and phantasmagorical worlds to the limit, multiplied here by Michèle Bokanowski’s enveloping music. A precious plastic and sonic gem.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
An animated short film about a man struggling against the storm. Suddenly he discovers that not everybody is affected by the wind...