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Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.

Two strangers meet when they respond to an ad in The New York Times for a river view apartment. Paul Friedman is a married advertising copywriter; Ann Miller a discontented housewife. They view the apartment, but before they can leave discover that the door has accidentally been locked and they are now trapped inside together. A connection quickly forms between them as they begin sharing things about their lives, and they find themselves attracted to one another.

Middle-aged gay life partners, Armand Goldman, a Jewish drag club owner, and Albert, the club's flamboyant star attraction, live in the eclectic community of South Beach and have raised a straight son. Now, their newly engaged son, 20-year-old Val, wants to bring his fiancée, Barbara, and her ultraconservative parents home to meet his family for the first time. By Val's request, Armand pretends to be straight, not Jewish and attempts to hide his relationship with Albert, in order to please Barbara's father, controversial right-wing Republican Sen. Kevin Keeley.

A young beautician, newly arrived in a small Louisiana town, finds work at the local salon, where a small group of women share a close bond of friendship and welcome her into the fold.

Set during a long, hot summer on the Thamesmead Estate in Southeast London, where three teenagers edge towards adulthood.

Brave new steps put Scott's career in jeopardy. With a new partner and determination, can he still succeed?

What happens if a regular housewife picks up in a local beauty contest - and wins? How will it be when the husband forbids her to go to the finals in Mallorca - but she is going anyway?

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".