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If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com When I think of 2D animation, I imagine beautiful tales told through a unique drawing style that allows for more expressiveness and clear emotions. I remember the recent Wolfwalkers, which was one of my favorite films of 2020. I expected Cryptozoo to follow a similar formula, boasting bright messages regarding the world's treatment of nature, animal cruelty/exploration, excessive hunting, and of course, discrimination based on someone's appearance. With all of this said, I never anticipated such a shocking, violent, *bloody* depiction of what looked like a fun adventure that parents could show their children. Unless your kids are all grown-up by now, I do NOT recommend showing this movie to them. I don't write this with a negative tone. Please, don't misinterpret my words. Dash Shaw develops his original concept in an unconventional yet captivating manner in an attempt to educate the viewers through visually brutal sequences, which I must leave a disclaimer for sensitive people. The social commentary is evident and meaningful, but it's preached in such an unnecessarily explicit way that it negatively impacts me. Although the ending partially compensates for this next issue, I don't really agree with most of the main character's motivations. Lake Bell offers wonderful voice work as the protagonist, Lauren Grey, as does everyone else in the cast. Nevertheless, it genuinely bothers me that Lauren couldn't understand what she's doing wrong until everything explodes in front of her face. I found it nearly impossible to truly root for any character, excluding all the cute animals, which actually leads me to end this review on a positive note. Even though the style of animation is confusing during certain action scenes, it's still incredibly engaging and one of the main reasons why I felt captivated until the very end. As an animal lover and firm believer of their rights myself, I must show appreciation and gratitude towards the film's ending, which undoubtedly transmits the best possible message concerning the animal kingdom's freedom. The last few minutes are even more elevated by the fact that it carries so many other critical taboo subjects developed throughout the runtime, which ends up educating audiences in the most simple of ways. Beautiful score by John Carroll Kirby. Cryptozoo is undoubtedly one of the most shockingly violent 2D animated movies I've ever seen... and I write this both as a compliment and a disclaimer to sensitive viewers. Dash Shaw delivers what might be one of Sundance's most divisive films both due to its visual content and its narrative/character choices. The voice work from the entire cast deserves praise, namely Lake Bell, but the characters everyone portrays are extremely hard to root for or even agree with their motivations. Despite the ending fixing this major problem, the entire movie revolves around a mission and a purpose that not only I believe it's wrong, but the main character should have also realized her dream was not going to work as soon as she explains it out loud. The hand-drawn animation is slightly confusing at times, but it elevates an overall tricky film to analyze. I'll take the essential messages concerning nature, animals, and even discrimination with me, and I hope everyone else does too. Rating: C+
Though I didn't really love the linear, rather flat, style of animation throughout this film, I did quite enjoy the underlying tales of mythological beasts that constitute the "Cryptids". They are things like unicorns and yeti. Animals about which science is in abject denial but that put all forms of art into ecstacy. Naturally, these beasts are constantly being sought after so "Lauren" and "Joan" come up with the idea of finding them somewhere safe to live, where scientists can peaceably study and maybe even learn from them. The one that's missing is the elusive "Baku". This creature can eat people's dreams and so is also a target of those who, as ever with mankind, wish to exploit it's powers for military purposes. Can they find one then keep it safe from their well-resourced and malevolent pursuers? It's only as they encounter more and more of these usually quite benign beings that they consider whether or not these frequently beautiful and playful creatures should remain as they have been for centuries. Hidden from the eyes of man. Albeit set in a fantasy world, this does offer us a little food for thought about the relative merits of scientific advance for the sake of it, without any great consideration for the specimens or their "humanity" and there's plenty of imagination employed by auteur Dash Shaw to mix together stories of culture, religion and adventure into an enjoyable hybrid of animated creations that fantasise creatively.
Ashitaka, a prince of the disappearing Emishi people, is cursed by a demonized boar god and must journey to the west to find a cure. Along the way, he encounters San, a young human woman fighting to protect the forest, and Lady Eboshi, who is trying to destroy it. Ashitaka must find a way to bring balance to this conflict.
In 1970s Iran, Marjane 'Marji' Satrapi watches events through her young eyes and her idealistic family of a long dream being fulfilled of the hated Shah's defeat in the Iranian Revolution of 1979. However as Marji grows up, she witnesses first hand how the new Iran, now ruled by Islamic fundamentalists, has become a repressive tyranny on its own.
In the year 2036 mankind has revolutionized the medical field. Scientist have conquered death via the use of internal nanomachines and the “Shell System,” however, only the richest can afford to partake. Yozo Oba has been troubled by strange dreams and one day joins his friend’s biker gang. They embark to the “The Inside,” where society’s elite live, however, this begins a terrifying journey of discovery that will change Yozo’s life forever.
A traveler is confronted by spirits in an abandoned shrine; a story of honor and firefighting in ancient Japan; a white bear defends the royal family from a monstrous red demon; ragtag soldiers battle a robotic force in futuristic Japan.
In March 2002, a state TV signal in China gets hacked by members of the banned spiritual group Falun Gong. Their goal is to counter the government narrative about their practice. In the aftermath, police raids sweep Changchun City, and comic book illustrator Daxiong (Justice League, Star Wars), a Falun Gong practitioner, is forced to flee. He arrives in North America, blaming the hijacking for worsening an already violent repression. But his views are challenged when he meets the lone surviving participant to have escaped China, now living in Seoul, South Korea.
Bayonetta is an ancient witch who awakens from a five hundred-year slumber with no memory of her life. Armed with a gun in each limb, she embarks on a journey to rediscover her past, defeating all bloodthirsty angels that stand in her way.
Brussels, Belgium, 1959. Michel and Charly Kichka, two Jewish brothers, enjoy a happy childhood with their parents and their two sisters. Henri, their discreet and usually silent father, does not speak at all about his past, so they imagine that as a young man he was an adventurer, a pirate or a treasure hunter.
A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.
Whilst working on "the great South African novel," an unemployed writer gets caught up in the harsh realities of life in the city of Johannesburg.
A feature animated-documentary that focuses on sex and romantic connections featuring 21 diverse interviews with people from a wide range of genders, cultural backgrounds, abilities, and sexual orientations as they discuss Sex, Monogamy, Fear and Technology. The film is also collaboration of our production staff and 17 animators from 10 countries.
A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.