Happy Birthday Mr Bean

For a year, acclaimed British filmmaker Jeanie Finlay was embedded on the set of the hit HBO series “Game of Thrones,” chronicling the creation of the show’s most ambitious and complicated season. Debuting one week after the series 8 finale, GAME OF THRONES: THE LAST WATCH delves deep into the mud and blood to reveal the tears and triumphs involved in the challenge of bringing the fantasy world of Westeros to life in the very real studios, fields and car-parks of Northern Ireland. Made with unprecedented access, GAME OF THRONES: THE LAST WATCH is an up-close and personal portrait from the trenches of production, following the crew and the cast as they contend with extreme weather, punishing deadlines and an ever-excited fandom hungry for spoilers. Much more than a “making of” documentary, this is a funny, heartbreaking story, told with wit and intimacy, about the bittersweet pleasures of what it means to create a world – and then have to say goodbye to it.

Filmmaker Alexander Freeman who was diagnosed with cerebral palsy at the age of two, was raised by his loving and supportive parents but the one thing he has always wanted was to be in a loving relationship with a woman and to have a family of his own. When Alexander meets his life partner Orina by chance at a film screening his life changes forever for the better, especially when his daughter Maya is born. As Alexander and Orina raise Maya, have a commitment ceremony, start their lives together, and struggle with life's challenges, Alexander's parents learn to accept that Alexander can live a normal life independently and can be a great father despite their original views on the pregnancy.

This documentary is featured on Arrow Video's 2011 DVD & Blu-ray releases for The Beyond (1981).

Hrundi V. Bakshi, an accident-prone actor from India, is accidentally put on the guest list for an upcoming party at the home of a Hollywood film producer. Unfortunately, from the moment he arrives, one thing after another goes wrong with compounding effect.

When "Star Trek" first aired in 1966, it expanded the viewers' imaginations about what was possible in their lifetimes. Today, many of the space-age technologies displayed on the show, like space shuttles, cell phones, and desktop computers, have already gone from science fiction to science fact. Other innovations, like warp drive, teleportation, and medical tricorders are actively in development. Join us as we celebrate the 50th Anniversary of "Star Trek" - a show that continues to inform, enrich, and inspire.

Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two reunite. On the way he discovers France, bicycling and true love, among other things.

Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.

From Raymond Baxter live on Tomorrow's World testing a new-fangled bulletproof vest on a nervous inventor to Doctor Who's contemporary spin on the War on Terror, British television and the Great British public have been fascinated with the brave new world offered up by science on TV. Narrated by Robert Webb, this documentary takes a fantastic, incisive and funny voyage through the rich heritage of science TV in the UK, from real science programmes (including The Sky At Night, Horizon, Tomorrow's World, The Ascent of Man) to science-fiction (such as The Quatermass Experiment, Doctor Who, Doomwatch, Blake's 7, The Hitchhiker's Guide to the Galaxy), to find out what it tells us about Britain over the last 60 years.

Promotional documentary for the MGM film "Ice Station Zebra" focusing on the career and cinematographic innovations of cameraman John Stephens.

Adam Scott presents this behind-the-scenes look at the world's worst first assistant director, with Ken Marino and Mark Duplass.