Afrika

The Franconian Minister of State in the government, Richard Wilhelm, has perfectly arranged a tête-à-tête with an opposition secretary: The husband thinks his wife is with her aunt in Franconian Switzerland, Mrs. Minister of State thinks her husband is at a debate in the state parliament, and the MPs will habitually "sleep through" the minister's absence. If only it weren't for the body that suddenly appears in the hotel room: a man in a coat, scarf and suit, lifeless, obviously beaten to death by the fallen window. One thing is clear: the corpse with resurrection tendencies has to go, Richard can't afford a scandal.

A comedy by well-known Albanian theater. A comedy known and loved by all, under the interpretation of the most famous actors of the Albanian National Theatre. A comedy that provides only laughter. Albanian: Nje komedi nga Teatri Popullor Shqiptar. Komedia me e njohur dhe me e dashur për të gjithë, nën interpretimin e aktoreve më të njohur të Teatrit Kombëtar. Nje komedi qe siguron vetem te qeshura.

In an American desert town circa 1955, the itinerary of a Junior Stargazer/Space Cadet convention is spectacularly disrupted by world-changing events.

Elyot Chase and Amanda Prynne are glamorous, rich, reckless…and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses. This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. This Chichester Festival Theatre production of Noël Coward’s Privates Lives was filmed live at London's Gielgud Theatre.

The original musical adaption of the Roman Polanski classic "The Fearless Vampire Killers". One of Europe's biggest musical hits.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

Berliner Roberto Bolle smuggles himself as a stowaway on an ocean liner that of Hamburg gen New York sets sail. On board is also his lover Barbara Shadwell, whom he wants to marry, but who, at the request of her mother, the syrup millionaire Ceila Shadwell, should marry the oatmeal millionaire David.

Born from the fairytale of Alexei Tolstoy, a lively story about a curious tree boy Burattino who gets into an unexpected adventure.

Grace has agreed to marry Sir Harcourt in return for his financial support of her family. At a house party in her father's place, Harcourt's son Charles also falls in love with Grace. When his father appears on the scene, he has to convince him that there is a case of mistaken identity and he is somebody else. Then Lady Gay Spanker, a married woman also visiting at the house, is persuaded by Charles to seduce his father and thus divert his attention from Grace. Much confusion and scheming ensues.

John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse - not to mention the audience - becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket - it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.

Two delusional geriatrics reveal curious pasts, share a love of tuna and welcome a surprise guest in this filming of the popular Broadway comedy show.