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The world is an evil place Charlie. Some of us make money off that and others get destroyed. Before the Devil Knows You're Dead is directed by Sidney Lumet and written by Kelly Masterson. It stars Philip Seymour Hoffman, Ethan Hawke, Marisa Tomei, Albert Finney, Rosemary Harris and Amy Ryan. Music is scored by Carter Burwell and cinematography by Ron Fortunato. Two brothers with differing financial problems plan to rob their parents' jewellery store. But when all does not go to plan and tragedy strikes, it sends them, and those close to them, into a world of fear, shame and violence... It opens with a raunchy sex scene, man and wife in the throes of committed passion, for these brief moments there is pleasure. Once over, though, it proves to be a false dawn, the last time anyone on screen will taste pleasure in Lumet's biting morality tale. From here on in the film unfolds in a dizzying array of multi-perspectives and over lapping of narrative structure, a three pronged assault on the senses as a family implodes in a haze of greed, lies and inadequacies. A botched robbery underpins the plotting, the aftermath of which is what is most cutting, we zip around learning the wherewithal and whys of the key players, learning exactly what we need to know to fully immerse in this bleak world. This is a world populated by love cheats, drug abuse, embezzling, bad parenting and blackmail, a world where the brothers Hanson (Hoffman & Hawke) now dwell, either ill equipped (Hawke's Hank) or stuck between idiocy and smug evil (Hoffman's Andy). Their folly, their greed, impacting with a juddering severity on the family circle. My life, it doesn't add up. Nothing connects to anything else. I'm not the sum of my parts. All my parts don't add up to one...me. It would be Lumet's last film (he passed away in 2011), thankfully it is a fitting final offering from the talented Philadelphian. He's aided considerably, mind, by a razor sharp script from debut screenplay writer Masterton. It's full of nastiness and tension, but still observational as a family tragedy, with major bonus' being that it never resorts to stereotypes or cops out come the crushing denouement. Where Lumet excels is in drawing near faultless performances from his cast. Youthful and downtrodden haplessness portrayed by Hawke, Hoffman's powerhouse manipulator with emotional issues, Tomei proving that over 40 is still sexy while dialling into a very touching performance. Finney, a cracker-jack of grief from the wily old fox, Ryan's hard edged ex-wife and Michael Shannon strolling into the picture late in the day exuding notable menace. All splendidly guided by the great director who asks them to portray characters convincing in going deeper for motivations and means. Bleak, brutal and near brilliant across the board. 9/10
The outwardly successful "Andy" (Philip Seymour Hoffman) needs to raise some cash before his business gets an IRS audit. His weaker brother "Hank" (Ethan Hawke) needs cash to settle some childcare costs with his divorced wife. The two concoct a plan to rob their parents' jewellery store to solve both of their problems whilst, they hope, harming nobody but the insurers. A staffing alteration changes all of that, though, and as it turns out, mom is no pushover so the raid goes quite spectacularly wrong leaving her and one of the robbers in the ground. "Hank" is emotionally struggling, "Andy" still faces his problems and now they have their father (Albert Finney) determined to track down just who these attackers are! Now, to add to this already quite toxic mix, we discover that "Hank" has also been having an affair rather too close to home for his sibling and so the tension is soon building to a point where something is going to have to give - and lethally too. Finney features sparingly here, but he does steal the show as the Hoffman/Hawke dynamic builds to an effective and powerful conclusion that does rather powerfully portray just how family's are not always sweetness and light. It's a solid story well cast and written, with Sidney Lumet letting his talent do the heavy lifting with minimal interference from him or from any extended dialogue. I did like the ending, too!
The story of a gentle-hearted beast in love with a simple and beautiful girl. She is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. She is unable to return the key on time, but it is revealed that the Beast is the genuinely handsome one. A simple tale of tragic love that turns into a surreal vision of death, desire, and beauty.
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
A disturbed, aging Southern belle moves in with her sister for solace — but being face-to-face with her brutish brother-in-law accelerates her downward spiral.
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
When an asteroid threatens to collide with Earth, NASA honcho Dan Truman determines the only way to stop it is to drill into its surface and detonate a nuclear bomb. This leads him to renowned driller Harry Stamper, who agrees to helm the dangerous space mission provided he can bring along his own hotshot crew. Among them is the cocksure A.J. who Harry thinks isn't good enough for his daughter, until the mission proves otherwise.
Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.