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MORE REVIEWS @ https://www.msbreviews.com/ "KIMI contains the narrative potential and impactful cinematography that movies by Steven Soderbergh (No Sudden Move) always have, but not even a superb performance from Zoë Kravitz (The Batman) can hide some issues with the developed themes. Technologically, the proximity of this world to ours is frighteningly realistic, but the attempts to tackle agoraphobia and invasion of privacy aren't all successful. The protagonist's arc focuses on her ability to overcome past trauma, something that is mostly well-done. However, the abrupt conclusion of the whole story not only lessens and simplifies PTSD but raises numerous plot-related logical questions, in addition to a moral one concerning stalking. It will likely create some division within the general audience." Rating: C
NEW SODERBERGH! NEW SODERBERGH! It’s three in the morning, but I’m gonna try and put down some coherent thoughts. This is exactly what I expected from a Soderberg thriller, and I mean that in the best way possible. I love his work and this is no exception. The technical filmmaking elements here are great: camerawork, editing, and its general sense of scene-to-scene rhythm. Feels methodical and elegant while still being fun and watchable. There are quite a few sequences that will stick with me for a while. Like how personal the stakes are in this and how well Zoë Kravitz handles her role. Reminded me a lot of Aneesh Chaganty’s Run in the way it frames and establishes its story. The biggest problems for me: It loses some of its rhythm around the middle and doesn’t feel as fleshed out as it could have been. Given how much I love David Koepp’s other works, I was a bit sad to see a lot of my qualms falling to the story writing/structuring. Few problems aside, I had a great time! Guess I’ll have to check out No Sudden Move now 👀 Side note: Watched this down in my room which means my HomePod Mini was looming right below my screen the whole time. Considering that the 4D experience.
Hadn’t stopped thinking about this since I first watched it, so I finally revisited it! Loved it even more this time around. The score and cinematography still might be my favorite aspects of this, it curates a thrilling and functional style. The direction and performances stood out to me a little more on this viewing to, sublime stuff. Hitchcock-influenced Soderbergh is too powerful.
Leslie Calvin, the sole survivor of a submarine accident, goes to her relatives in order to recover emotionally. Unfortunately, she encounters various scam artists led by Mr. Sydney who intend to kill her and steal the family assets. Dr. George Grover helps Leslie to defeat Sydney.
In the near future, everything has changed. Basic human rights have become the rarest of luxuries. No one knows when this started but everyone knows how. The VXII, the deadliest virus ever created, spread like wildfire and decimated the majority of the world's population. The non-infected survivors now cling to life in four quarantined cities behind a wall. Shawn Kors and his brother, Jude, survived the VXII only to grow up in a squalid internment camp for orphaned children. Under the care of the militia, they were pitted against other children in backwoods death matches. Shawn, Jude, and the few who escaped became notorious for their incredible fighting skills. They have since parted ways. Shawn now makes a comfortable living as a janitor at the local medic station. He spends his days dreaming of curing the VXII. When Shawn discovers the discarded body of a fellow internment camp friend, he is forced out of hiding and pulled into a rabbit hole of conspiracy and violence.
An agoraphobic woman comes to rely on an AI machine for delivery of her anti-anxiety medicine during a global pandemic. Motivated by the desire to receive a 5-star rating, the machine engages in aberrant behavior that becomes downright scary.
The father of a terminally ill girl is determined to grant his daughter's last wish, a ridiculously expensive collectors' costume from a Japanese TV series. The request will drive him into a journey within his city's dark underbelly.
Newlyweds Eric and Jenni Whitlock retire to his desolate mansion, where Eric's first wife Marianne died from a mysterious freak accident. Jenni, who has a history of mental illness, begins to see strange things including a mysterious skull, which may or may not be a product of her imagination.
Seattle, 1974. Ted Bundy gives into his violent passions and embarks on a cross country killing spree, leaving a trail of raped, tortured, murdered, dismembered, and defiled corpses in his wake…
Jealousy flares after the headmistress of an elite boarding school for girls becomes obsessed with a new student.
Art editor Madeleine Damian carries on numerous loveless affairs. After a failed relationship with advertiser Felix Courtland, the increasingly depressed Madeleine attempts suicide. When Jack Garet, her secretary and former lover, tries to blackmail her, Madeleine resigns and seeks a reclusive life. Neighbor David Cousins befriends Madeleine, but soon Courtland and Garet discover her whereabouts and disrupt her new life.
Trapped overnight by an unknown assailant, a babysitter struggles to stay safe. As the hours tick by, she realizes that the greatest threat might be from the very children she's trying to protect.
In a time marked by longing and uncertainty, at the beginning of a social isolation, two friends disappear. The pandemic becomes a backdrop for the loss of innocence and the rescue of long-lost things. Ingenuous is like a farewell gift from the only link that united these two missing figures; two strangers who get lost, or maybe, just maybe, just met.
Carter, who awakens two months into a deadly pandemic originating from the DMZ that has already devastated US and North Korea. He who has no recollections of his past finds a mysterious device in his head, and a lethal bomb in his mouth. A voice in his ears gives him orders to avoid getting killed and he's thrown into a mysterious operation while the CIA and North Korean coup chase him close.