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MORE REVIEWS @ https://www.msbreviews.com/ "KIMI contains the narrative potential and impactful cinematography that movies by Steven Soderbergh (No Sudden Move) always have, but not even a superb performance from Zoë Kravitz (The Batman) can hide some issues with the developed themes. Technologically, the proximity of this world to ours is frighteningly realistic, but the attempts to tackle agoraphobia and invasion of privacy aren't all successful. The protagonist's arc focuses on her ability to overcome past trauma, something that is mostly well-done. However, the abrupt conclusion of the whole story not only lessens and simplifies PTSD but raises numerous plot-related logical questions, in addition to a moral one concerning stalking. It will likely create some division within the general audience." Rating: C
NEW SODERBERGH! NEW SODERBERGH! It’s three in the morning, but I’m gonna try and put down some coherent thoughts. This is exactly what I expected from a Soderberg thriller, and I mean that in the best way possible. I love his work and this is no exception. The technical filmmaking elements here are great: camerawork, editing, and its general sense of scene-to-scene rhythm. Feels methodical and elegant while still being fun and watchable. There are quite a few sequences that will stick with me for a while. Like how personal the stakes are in this and how well Zoë Kravitz handles her role. Reminded me a lot of Aneesh Chaganty’s Run in the way it frames and establishes its story. The biggest problems for me: It loses some of its rhythm around the middle and doesn’t feel as fleshed out as it could have been. Given how much I love David Koepp’s other works, I was a bit sad to see a lot of my qualms falling to the story writing/structuring. Few problems aside, I had a great time! Guess I’ll have to check out No Sudden Move now 👀 Side note: Watched this down in my room which means my HomePod Mini was looming right below my screen the whole time. Considering that the 4D experience.
Hadn’t stopped thinking about this since I first watched it, so I finally revisited it! Loved it even more this time around. The score and cinematography still might be my favorite aspects of this, it curates a thrilling and functional style. The direction and performances stood out to me a little more on this viewing to, sublime stuff. Hitchcock-influenced Soderbergh is too powerful.
A group of archaeologists uncover a strange structure in Northern Canada, dating over ten thousand years before the present. The team finds themselves isolated when their communication systems fail and it's not long before they begin to feel the effects of the solitude.
When disc jockey Grant Mazzy reports to his basement radio station in the Canadian town of Pontypool, he thinks it's just another day at work. But when he hears reports of a virus that turns people into zombies, Mazzy barricades himself in the radio booth and tries to figure out a way to warn his listeners about the virus and its unlikely mode of transmission.
London, 1761. St. Mary's of Bethlehem, a sinister madhouse, is visited by wealthy people who enjoy watching the patients confined there as if they were caged animals. Nell Bowen, one of the visitors, is horrified by the deplorable living conditions of the unfortunate inhabitants of this godforsaken place, better known as Bedlam.
The film follows Kristi Jones who, along with her gang, take part in Mafia-run street fights to earn money for her sister's college education. Kristi's sister hopes to become a doctor and pay for Kristi's education.
Vetri (Ajmal), Professor (Mano) and Ganesh run away from Chennai to Ooty, where they meet a lawyer Sujatha (Radhika Apte). For Sujatha it is love at first sight as she falls for Vetri. Sujatha discovers after an accident that police are on their trail and they are accused in a murder case after escaping from a mental health institute.
Traumatized since childhood by her brother's accidental death, Danika Merrick (Marisa Tomei) hallucinates a bank robbery and quits her job. Despite support from her three children and loving husband, Randy (Craig Bierko), Danika continues to experience unnerving visions. She seeks help from therapist Evelyn Harris (Regina Hall). But pervasive reports of violent incidents involving children make Danika fear for her own family, and she grows increasingly paranoid, worrying she may be going insane.
Madison is paralyzed by shocking visions of grisly murders, and her torment worsens as she discovers that these waking dreams are in fact terrifying realities with a mysterious tie to her past.
4 mental patients formulate the plan to rescue their kidnapped doctor and teach the kidnappers a lesson.
Two years into the pandemic, a group of friends throw an online party with a night of games, drinking and drugs. After taking an ecstasy pill, things go terribly wrong and the safety of their home becomes more terrifying than the raging chaos outside.
An agoraphobic woman comes to rely on an AI machine for delivery of her anti-anxiety medicine during a global pandemic. Motivated by the desire to receive a 5-star rating, the machine engages in aberrant behavior that becomes downright scary.
A family of four isolating against a pandemic virus that spreads through the internet and robs you of your ability to perceive reality - often violently - begins to unravel when they suspect one or all of them might be infected.