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"Alison" (Florence Pugh) is happily engaged to "Nathan" (Chinaza Uche) until a tragic accident takes place whilst she is driving and, one year later, we discover that it's all change. She is struggling to come to terms with the incident and has developed a dependancy on prescription pain killers. Her mother (Molly Shannon) and her friends are at the end of their tethers and hope that maybe a meeting of AA might offer her some hope. It's at this meeting that she re-encounters her would-be father-in-law, and ex-cop, "Daniel" (Morgan Freeman) and we begin to fill in the gaps and start to comprehend just what has driven all of the parties to their current predicaments. Pugh never does anything half-heartedly, and she doesn't here either - but the story is weak and, for me, all just a little over-dramatic. The rather retrospective style of story telling leaves way too many gaps and the crises seem just a bit too contrived to be convincing. "Alison" is easily the most interesting of the characters, but she is also easily the most irritating, selfish and I found the lack of substance to the plot just made it harder to be sympathetic to her (or, for that matter, to "Daniel" or "Nathan"). It tries to deal with some serious and heart-rending topics, but Zach Braff seems content with offering a strongly performed but superficially presented, overly simplistic, melodrama here that I thought rather wasted the talent at his disposal. There are also far too many dreary guitar ballads that seems to step up where the writers suffer from a dearth of ideas. It's watchable, but not great.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims, and he begins to use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare.
Die Polizistin is a documentary by Andreas Dresen about the life of a young police woman who is faced with the difficulties between her responsibilities at work and her personal responsibilities.
Second-hand car sales man Willenbrock has everything that he could ever wish for. He is married, has two lovers, a cottage in the German city Grünen, and a BMW. Yet one day while at his cottage he gets mugged and his life is drastically changed. Little by little the world he once felt safe in falls apart around him.
When petty criminal Luke Jackson is sentenced to two years in a Florida prison farm, he doesn't play by the rules of either the sadistic warden or the yard's resident heavy, Dragline, who ends up admiring the new guy's unbreakable will. Luke's bravado, even in the face of repeated stints in the prison's dreaded solitary confinement cell, "the box," make him a rebel hero to his fellow convicts and a thorn in the side of the prison officers.
During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.
A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.
A journalist suffering from burn-out wants to finally say goodbye to his office – but his boss doesn’t like the idea one bit.
A former rodeo star, now a motel manager, meets a young man who is responsible for the violence that suddenly has seized his small town.
In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.
