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Unknown Serial Killers of America - (Jun 2nd)
Naked and Afraid- Last One Standing - (Jun 2nd)
Love Your Weekend with Alan Titchmarsh - (Jun 1st)
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Deadline- White House - (Jun 2nd)
Sullivans Crossing - (Jun 1st)
Border Force- Americas Gatekeepers - (Jun 1st)
Jersey Shore- Family Vacation - (Jun 1st)
Countryfile - (Jun 1st)
Later... with Jools Holland - (Jun 1st)
999- On the Front Line - (Jun 1st)
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I Kissed a Boy - (Jun 1st)
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The Chocolate Queen - (Jun 1st)
Tragedies involontaires - (Jun 1st)
Traqueur de chars - (Jun 1st)
Strife - (Jun 1st)
We start with a fairly traumatic car accident that goes some way in explaining just why, many years later, the sheep farming “Michael” (Christopher Abbott) is living with his immobile dad (Colm Meaney) and living a fairly unfulfilled life. Their neighbour calls to advise that a couple of his rams have been found dead on their farm and so when he goes to investigate, we meet “Caroline” (Nora-Jane Noone) who used to be his girlfriend before she left him for “Gary” (Paul Ready) and they had son “Jack” (Barry Keoghan). With no evidence of the corpses, he heads to the market to buy replacements only to find that his neighbours haven’t been straight with him and that there’s quite enough history here to ensure that “Michael” keeps his mouth shut. Meantime, things aren’t proving much better for the couple next door as their farm is struggling to pay it’s way and when their young son comes up with an unilateral scheme with his thuggish cousin “Lee” (Aaron Heffernan) to raise, rather brutally, some extra cash then things turn violent and dangerous now with just about every element of trust out the window! This isn’t a mystery for the squeamish as it highlights some of the real difficulties faced by hill farmers facing financial difficulties trying to make their inhospitable land pay. The story itself here is a bit of a mess, and though it does gradually start to make a little sense towards the end, for the most part it seems a little too thinly stretched and reliant on the time-shifting chronology to tell us an under-characterised story from differing perspectives as the threads rather far-fetchedly come together at the end. It’s a fine looking film offering an authentic look at a barely better than subsistence form of life populated by folks suspicious of newcomers and of each other, but I couldn’t help but feel this needed a much firmer hand on the storytelling front and Keoghan just too old for the part. Abbott delivers well, and it’s still worth a watch - but television in due course ought to be fine.
The hidden memoir of an elderly woman confined to a mental hospital reveals the history of her passionate yet tortured life, and of the religious and political upheavals in Ireland during the 1920s and 30s.
On a northern Italian farm, Batistì and his wife decide to send their son Minec to school, sacrificing his help in the fields but hoping to break the cycle of poverty in the family. But when Minec’s shoe breaks while walking for miles, Batisti puts the family’s future at risk to replace the clog.
A young cockfighter and sports memorabilia reseller prepares for the unexpected release of his incarcerated father.
Francis is an African soccer player whose life comes spiraling down after he fixes a match. Soon, he's on the run, taking shelter at a mountain ranch led by a deadly crime boss. Soon, Francis inspires revolt among the boss's workers, putting his life on the line for freedom.
A young woman looks to escape her abusive life by moving to her family's farm near Atlanta. Unfortunately, she learns her place of supposed comfort offers more terrifying forms of abuse.
A stubborn farmer is raising his children alone. When his oldest daughter gets a suitor, the father nearly goes on the rampage, but he is forced to change his tune when he is injured, leaving her in charge of the farm.
A drifter comes to the town of Deepwater and is seduced into a twisted game of deceit and murder.
In 1847, when Ireland is in the grip of the Great Famine that has ravaged the country for two long years, Feeney, a hardened Irish Ranger who has been fighting for the British Army abroad, returns home to reunite with his estranged family, only to discover the cruelest reality, a black land where death reigns.
The Harvester is a 1927 American silent comedy film directed by James Leo Meehan and starring Orville Caldwell, Natalie Kingston and Will Walling. It is an adaptation of the 1911 novel of the same name by Gene Stratton-Porter, which was later remade as a sound film in 1936.
Animals on a farm lead a revolution against the farmers to put their destiny in their own hands. However this revolution eats their own children and they cannot avoid corruption.
