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An American Comedy _**Classic**_ - Everything about this film screams 'American Cinema Comedy'. A lot of the humor is a precursor to modern american humor, including the terribly cheesy pulp humor. This film is an homage to the comedies that came before it, but is innovative in its combination of wordplay and referential humor. I see vestiges of this film in everything from 'The Hangover' to 'The Office'. If at any point you are watching this and find yourself saying 'This is really stupid', just remember: Relax. It's supposed to be stupid.
Right from the "Jaws" (1975) inspired opening titles, this is a treat of comedy that sends up just about every genre of cinema as poor old "Ted" (Robert Hays) has to stave off an airborne disaster aboard his aircraft. Half the folks travelling have been stricken with food poisoning and when the cockpit it wiped-out, it falls to him to bravely take the joystick and try to land in Chicago. Luckily, his ex-girlfriend "Elaine" (Julie Hagerty) is there, as is the always scene stealing inflatable "Otto" pilot. Lloyd Bridges is entertaining as the air traffic controller as is Robert Stack as the man trying to to talk down the stressed wartime pilot whom he used to command. The visual jokes are occasionally a bit too slapstick, but it's the writing that makes this funny - it is a pun writer's wet dream with plenty of risqué double entendres and literal interpretation of language that creates ample enjoyable ambiguity and humour. Clearance Clarence and Roger, Roger - it's quickly paced and unlike so many comedies from the 1970s really does raise a smile 40-odd years later when political correctness would probably throttle this at birth. Yes, it's a bit puerile but it is still well worth a watch.
Surely, this is hilarious. Surely. A film that never saw the word "Surely" in the same light again. This is a total parody, not just of disaster movies, but of all social mores. The "excuse" for the comedy is a plane where the entire flight crew is too sick to fly, so a nerve racked ex pilot needs to fly the plane. Lots of Monty Python style "unreal" events to make this even funnier, along with the parody of culture, such as the woman who speaks "Jive". You need someone to interpret "Jive" in life or death situations, you know? The people who don't find this funny probably don't even like gladiator movies.
**A memorable comedy that deserves to be revisited occasionally.** I can't say how innovative this film was in its time because I'm not one of those cinema experts who know almost everything (I'd like to know more, and I always learn more, but I'm reduced to the insignificance of knowing little). However, as far as I can understand, I think it was one of the first nonsense American satires, heavily inspired by Monty Python, an English group that was having its biggest successes at that time, and the film “National Lampoon Animal House”, which had also been released at this time. For this work, Jim Abrahams and the Zucker brothers (who direct and write all the script) made a hilarious story around a domestic flight in the USA that goes very wrong when almost everyone, including the pilot and co-pilot, eat a spoiled fish. There are some jokes that work better, others worse, but the film's humor is intelligent enough to escape the easy laugh label. The joke where the pilot tries to seduce a child is perhaps the most infamous moment in the film, but I'm not a huge fan of political correctness and I handled it very well. The writers also can't resist the temptation to include some sex jokes, but I didn't see anything that I really think crossed the line of what was acceptable. For the film, they're called actors with a notable satirical and humorous streak, but who had not always had the opportunity to focus on comedies, or had not made films before. This was the case with Peter Graves, Robert Hays, Julie Hagerty or Lloyd Bridges, but also with Leslie Nielsen. It's quite surprising, considering we remember him for his comedies, but he hadn't done any notable comedies before this film. The cast seems to be having so much fun working that I believe the entire group has great memories of the project. As a technical and aesthetic work, the film stands out for the quality of the cinematography and filming work, but also for the good props and effects achieved.
A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.
Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.
A card shark and his unwillingly-enlisted friends need to make a lot of cash quick after losing a sketchy poker match. To do this they decide to pull a heist on a small-time gang who happen to be operating out of the flat next door.
Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents' first meeting and attracting his mother's romantic interest. Marty must repair the damage to history by rekindling his parents' romance and - with the help of his eccentric inventor friend Doc Brown - return to 1985.
Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.
While on a business trip in Los Angeles, Edward Lewis, a millionaire entrepreneur who makes a living buying and breaking up companies, picks up a prostitute, Vivian, while asking for directions; after, Edward hires Vivian to stay with him for the weekend to accompany him to a few social events, and the two get closer only to discover there are significant hurdles to overcome as they try to bridge the gap between their very different worlds.
Jeffrey 'The Dude' Lebowski, a Los Angeles slacker who only wants to bowl and drink White Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.
In the deep south during the 1930s, three escaped convicts search for hidden treasure while a relentless lawman pursues them.
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.