The Amateur 2025 - Movies (Jun 27th)
Fight or Flight 2024 - Movies (Jun 27th)
The Ritual 2025 - Movies (Jun 27th)
Off the Grid 2025 - Movies (Jun 27th)
Things Like This 2025 - Movies (Jun 27th)
Born to Be Wild The Story of Steppenwolf 2024 - Movies (Jun 26th)
28 Years Later 2025 - Movies (Jun 26th)
The Assessment 2025 - Movies (Jun 26th)
OPEN 2025 - Movies (Jun 26th)
Inheritance 2025 - Movies (Jun 26th)
Four Mothers 2024 - Movies (Jun 25th)
Enigma 2025 - Movies (Jun 25th)
The Last Rodeo 2025 - Movies (Jun 25th)
Lets Start a Cult 2024 - Movies (Jun 24th)
Pie To Die For A Hannah Swensen Mystery 2025 - Movies (Jun 24th)
Slice of Life The American Dream. In Former Pizza Huts. 2025 - Movies (Jun 24th)
I Dont Understand You 2024 - Movies (Jun 24th)
The Stranger in My Home 2025 - Movies (Jun 24th)
Trainwreck Poop Cruise 2025 - Movies (Jun 24th)
Steph Tolev Filth Queen 2025 - Movies (Jun 24th)
Perfectly A Strangeness 2024 - Movies (Jun 24th)
Dateline- Unforgettable - (Jun 27th)
Battle of the Generations - (Jun 27th)
All In with Chris Hayes - (Jun 27th)
The Briefing with Jen Psaki - (Jun 27th)
Deadline- White House - (Jun 27th)
The Price Is Right - (Jun 27th)
The Young and the Restless - (Jun 27th)
Best of The Beat with Ari Melber - (Jun 27th)
Smartypants - (Jun 27th)
Lucky - (Jun 27th)
The Bold and the Beautiful - (Jun 26th)
Glastonbury Anthems - (Jun 26th)
Love Island - (Jun 26th)
Dispatches - (Jun 26th)
Taskmaster - (Jun 26th)
The Beechgrove Garden - (Jun 26th)
Katy Tur Reports - (Jun 26th)
Outback Crystal Hunters - (Jun 26th)
Piers Morgan Uncensored - (Jun 26th)
Chris Jansing Reports - (Jun 26th)
An American Comedy _**Classic**_ - Everything about this film screams 'American Cinema Comedy'. A lot of the humor is a precursor to modern american humor, including the terribly cheesy pulp humor. This film is an homage to the comedies that came before it, but is innovative in its combination of wordplay and referential humor. I see vestiges of this film in everything from 'The Hangover' to 'The Office'. If at any point you are watching this and find yourself saying 'This is really stupid', just remember: Relax. It's supposed to be stupid.
Right from the "Jaws" (1975) inspired opening titles, this is a treat of comedy that sends up just about every genre of cinema as poor old "Ted" (Robert Hays) has to stave off an airborne disaster aboard his aircraft. Half the folks travelling have been stricken with food poisoning and when the cockpit it wiped-out, it falls to him to bravely take the joystick and try to land in Chicago. Luckily, his ex-girlfriend "Elaine" (Julie Hagerty) is there, as is the always scene stealing inflatable "Otto" pilot. Lloyd Bridges is entertaining as the air traffic controller as is Robert Stack as the man trying to to talk down the stressed wartime pilot whom he used to command. The visual jokes are occasionally a bit too slapstick, but it's the writing that makes this funny - it is a pun writer's wet dream with plenty of risqué double entendres and literal interpretation of language that creates ample enjoyable ambiguity and humour. Clearance Clarence and Roger, Roger - it's quickly paced and unlike so many comedies from the 1970s really does raise a smile 40-odd years later when political correctness would probably throttle this at birth. Yes, it's a bit puerile but it is still well worth a watch.
Surely, this is hilarious. Surely. A film that never saw the word "Surely" in the same light again. This is a total parody, not just of disaster movies, but of all social mores. The "excuse" for the comedy is a plane where the entire flight crew is too sick to fly, so a nerve racked ex pilot needs to fly the plane. Lots of Monty Python style "unreal" events to make this even funnier, along with the parody of culture, such as the woman who speaks "Jive". You need someone to interpret "Jive" in life or death situations, you know? The people who don't find this funny probably don't even like gladiator movies.
**A memorable comedy that deserves to be revisited occasionally.** I can't say how innovative this film was in its time because I'm not one of those cinema experts who know almost everything (I'd like to know more, and I always learn more, but I'm reduced to the insignificance of knowing little). However, as far as I can understand, I think it was one of the first nonsense American satires, heavily inspired by Monty Python, an English group that was having its biggest successes at that time, and the film “National Lampoon Animal House”, which had also been released at this time. For this work, Jim Abrahams and the Zucker brothers (who direct and write all the script) made a hilarious story around a domestic flight in the USA that goes very wrong when almost everyone, including the pilot and co-pilot, eat a spoiled fish. There are some jokes that work better, others worse, but the film's humor is intelligent enough to escape the easy laugh label. The joke where the pilot tries to seduce a child is perhaps the most infamous moment in the film, but I'm not a huge fan of political correctness and I handled it very well. The writers also can't resist the temptation to include some sex jokes, but I didn't see anything that I really think crossed the line of what was acceptable. For the film, they're called actors with a notable satirical and humorous streak, but who had not always had the opportunity to focus on comedies, or had not made films before. This was the case with Peter Graves, Robert Hays, Julie Hagerty or Lloyd Bridges, but also with Leslie Nielsen. It's quite surprising, considering we remember him for his comedies, but he hadn't done any notable comedies before this film. The cast seems to be having so much fun working that I believe the entire group has great memories of the project. As a technical and aesthetic work, the film stands out for the quality of the cinematography and filming work, but also for the good props and effects achieved.
A burger-loving hit man, his philosophical partner, a drug-addled gangster's moll and a washed-up boxer converge in this sprawling, comedic crime caper. Their adventures unfurl in three stories that ingeniously trip back and forth in time.
Many loosely connected characters cross paths in this film, based on the stories of Raymond Carver. Waitress Doreen Piggot accidentally runs into a boy with her car. Soon after walking away, the child lapses into a coma. While at the hospital, the boy's grandfather tells his son, Howard, about his past affairs. Meanwhile, a baker starts harassing the family when they fail to pick up the boy's birthday cake.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
Brian Cohen is an average young Jewish man, but through a series of ridiculous events, he gains a reputation as the Messiah. When he's not dodging his followers or being scolded by his shrill mother, the hapless Brian has to contend with the pompous Pontius Pilate and acronym-obsessed members of a separatist movement. Rife with Monty Python's signature absurdity, the tale finds Brian's life paralleling Biblical lore, albeit with many more laughs.
An Eastern European tourist unexpectedly finds himself stranded in JFK airport, and must take up temporary residence there.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
A self-indulgent private investigator winds up on a cruise ship full of rich patrons, gorgeous women, murderous terrorists, and scarce food.
Baby Bink couldn't ask for more: he has adoring (if somewhat sickly-sweet) parents, lives in a huge mansion, and he's just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink's parents—especially the three enterprising kidnappers who pretend to be photographers from the newspaper. Successfully kidnapping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.