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Listen, not good. However, relatively speaking and compared to other films of this ilk, it isn't absolutely atrocious. 'Super Tanker' has a silly premise which isn't grounded in any way, I was never on a level other than fantasy - these films need to feel believable, this doesn't. The cinematography and dialogue is very poor, as are the terrible special effects. The characters lack major development, though in fairness one or two have a background story at least. Still, most are badly written, especially Jacky Woo's Jackie; whose broken English is made fun of at least six times, that's lazy 'comedy'. The editing and direction isn't great either, with a few scenes missing a conclusion; namely in the third act, one with Robert (Ben Cross) and one with Capt. Spyrou (Velizar Binev). Those two, Cross and Binev, are probably the best actors on display... not that that's high praise necessarily. As noted at the top, I'm not definitively sure how or why but I actually come away from watching this feeling alright about it. It's clearly low budget and has all the hallmarks of a cheap production from companies like The Asylum etc., but it would be a lie to say I hated it.
During an historic counter-terrorism summit in Spain, the President of the United States is struck down by an assassin's bullet. Eight strangers have a perfect view of the kill, but what did they really see? As the minutes leading up to the fatal shot are replayed through the eyes of each eyewitness, the reality of the assassination takes shape.
Centered around a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.
A deranged media mogul is staging international incidents to pit the world's superpowers against each other. Now James Bond must take on this evil mastermind in an adrenaline-charged battle to end his reign of terror and prevent global pandemonium.
With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.
C-3PO and R2-D2 are on their way to Biitu to meet their new master, Mungo Baobab, when their ship is attacked and they are taken prisoner. Biitu has been taken over by the giant mechanical Great Heep who works with the Empire, enslaving the natives by using droid enforcers and draining R2 units to keep up his strength. Meanwhile Mungo has been imprisoned to be handed over to his arch enemy Admiral Screed.
In a totalitarian future society, a man whose daily work is rewriting history tries to rebel by falling in love.
In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.
The King is the story of Graham Kennedy, Australia's first and greatest home grown TV superstar. It traces his rise from working class Balaclava kid, through radio, TV, film, and back to TV again. It also tracks Kennedy's personal tragedies - the loneliness, the unrealised ambitions and the terrible pressures of being Australia's first homegrown superstar in the 1950s and 60s.
A troubled actor, a television show runner, and an acclaimed videogame designer find their lives intertwining in mysterious and unsettling ways.
