Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Sex-Positive 2024 - Movies (Mar 27th)
Flight Risk 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
- (Jan 1st)
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The Last Word with Lawrence ODonnell - (Mar 28th)
TNA iMPACT - (Mar 28th)
Doctor Odyssey - (Mar 28th)
Bang Rak Soi 9/1 - (Mar 28th)
Yellowjackets - (Mar 28th)
Power Book III- Raising Kanan - (Mar 28th)
The Trades - (Mar 28th)
The Rachel Maddow Show - (Mar 28th)
Gardening Australia - (Mar 28th)
Tonight - (Mar 28th)
All In with Chris Hayes - (Mar 28th)
Deadline- White House - (Mar 28th)
Fight for Glory- 2024 World Series - (Mar 28th)
The Beat with Ari Melber - (Mar 28th)
Dope Thief - (Mar 28th)
The Pitt - (Mar 28th)
Booked- First Day In - (Mar 27th)
Four in a Bed - (Mar 28th)
Greys Anatomy - (Mar 28th)
Emergency Room 24 Hours - (Mar 27th)
Unfortunately this is rather a dry look back at the life of this visionary and entrepreneurial lady. It certainly offers a feast of archive film, VT and photography but for the most part, the narrative is relayed in a slightly adulatory fashion by her co-workers, and with the exception of her godson Jasper Conran, the majority of the contributors will have little traction with any but the most closely involved in the industry amongst the audience. The chronology itself is interesting enough, depicting well the whole vibe of London in the 1960s: the "scene"; the music, the first real throes of post war liberation, the commencement of the process for real gender equality, and the soundtrack is used sparingly to illustrate that. Sadly, though, and perhaps because so many of her contemporaries are no longer alive, there is just something remarkably static about this. You are shown images time and time again in a quickly framed, wham-bam sort of fashion, but somehow it doesn't resonate, or stick - it's like looking through some old editions of "Vogue" - there is little sense of the character or the personality of either her, or her larger than life husband. It's just all too one-dimensional to captivate - and for me, anyway, it just didn't.