Forest for the Trees

Most people were first exposed to Michael C. Ruppert through the 2009 documentary, Collapse, directed by Chris Smith. Apocalypse, Man is an intimate portrait of a man convinced of the imminent collapse of the world, but with answers to how the human spirit can survive the impending apocalypse.

A feature documentary about the journey of mankind to discover our true force and who we truly are. It is a quest through science and consciousness, individual and planetary, exploring our relationships with ourselves, the world around us and the universe as a whole.

A look at the mandate and performance of the U.S. Forest Service in the Rocky Mountains of Montana. Through interviews with Forest Service employees, loggers, environmentalists, scientists and politicians, we discover the ever-widening impact of current policy on the human and wildlife communities that depend upon the National Forests for survival. In 1905 the National Forest system was created to protect the remainder of the great woodland ecosystems that once covered America. Yet each year, more and more of these public forests have been sacrificed in the name of commerce. Everyone talks about finding the balance between preserving jobs and protecting the environment, but solutions are long in coming. While we debate, American taxpayers subsidize forest destruction to the tune of 300 million dollars each year.

Gangstresses, a documentary by Harry Davis, tells the story of violence, poverty, and survival in the streets from a female perspective. Over a two-year period, Davis interviews female hustlers, drug dealers, rappers, porn stars, prostitutes, mothers, and daughters. Among them are Champagne, a well-known African American porn star who has a small child; Mama Mayhem, a street hustler; Uneek, a rapper from the Bronx; and Vanessa Del Rio, a famous porn actress. Musicians Lil' Kim, Mary J. Blige, Ice T, and Tupac Shakur also share personal stories of survival. The documentary conducts follow-up research on the women's complicated lives, offering glimpses of both tragic reality and hopeful recovery.

An African-American family in Georgia works to save money for a power saw. Includes depictions of timber harvest techniques and process. Film made in 1952 by the United States Information Service and intended for foreign audiences.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Outlines the history of 40 years of the skinhead subculture, beginning with the most recent versions of the culture.

A film that captures the portraits and stories of extraordinary women around the world who are coming together to heal the injustices against the earth, weaves together poetry, music, art, and stunning scenery to create a hopeful and collective story that inspires us to work for the earth. The list of impassioned, indefatigable female environmental activists featured in this film includes Winona LaDuke, a Native American who has championed the use of solar and wind power on reservations; Theo Colborn, head of The Endocrine Disruption Exchange, who fights against toxic chemicals in our water supplies; Beverly Grant, who’s created a vibrant farmer’s market in a black neighborhood of Denver, Colo.; Dana Miller, who spearheads an “urban agriculture movement” in the same city; and Vandana Shiva, who champions organic farming in India.

Anita Chitaya has a gift: she can help bring abundant food from dead soil, she can make men fight for gender equality, and maybe she can end child hunger in her village. Now, to save her home in Malawi from extreme weather, she faces her greatest challenge: persuading Americans that climate change is real. Traveling from Malawi to California to the White House, she meets climate sceptics and despairing farmers. Her journey takes her across all the divisions that shape the USA: from the rural-urban divide, to schisms of race, class and gender, and to the American exceptionalism that remains a part of the culture. It will take all her skill and experience to help Americans recognise, and free themselves from, a logic that is already destroying the Earth.

The vessel is Infinity, a 120-foot hand-built sailboat, crewed by a band of miscreants. The journey, an 8,000 mile Pacific crossing from New Zealand to Patagonia, with a stop in Antarctica. Unlike all the other boats heading to the Southern Ocean, Infinity is no ice-reinforced super-yacht crewed by professional sailors; rather, Infinity lives in the moment and sails on a whim. What can be found in abundance on board is blood, sweat, enthusiasm, risk tolerance, disdain for authority, and an ample supply of alcohol – all in all a mad voyage of reckless adventure just for the sheer joy of it. Along the way the crew will battle a hurricane of ice in the Ross Sea, assist the radical environmental group Sea Shepherd in their fight with illegal whalers, and tear every sail they have. At the heart of their journey is a quest for awe and a sense of wonder with the raw power of the natural world.