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Documentary on the food shortage in India.

In the year 2022, overcrowding, pollution, and resource depletion have reduced society’s leaders to finding food for the teeming masses. The answer is Soylent Green.

A mysterious place, an indescribable prison, a deep hole. An unknown number of levels. Two inmates living on each level. A descending platform containing food for all of them. An inhuman fight for survival, but also an opportunity for solidarity.

An in-depth look at the lives and struggles of a fishing community living by the River Titas in Bangladesh after the Partition of India in 1947.

Food shortages during a pandemic force recently widowed George to stray far from home to survive. A simple purchase of rations derails when George stumbles upon a Shopkeeper's secret, placing them in mortal jeopardy.

In a near future when environmental havoc is causing food shortages and compelling the government to protect its organized crop system by deploying sentinel drones, a handful of locals discover a sinister connection between sick farmland inhabitants and the tech that’s meant to be protect them.

Roberto is a middle class working professional trying to survive hyperinflation amid the Venezuelan crisis while maintaining his unemployed mother. An argument breaks out when she asks him to buy flour for her birthday cake. In an effort to make amends, he resorts to the black market to buy the scarce food, but gets caught in the violent looting of a market.

“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”